Shiva Tandava Stotram in Kannada

ಶಿವ ತಾಂಡವ ಸ್ತೋತ್ರಮ್

The Shiva Tandava Stotram is a Sanskrit hymn describing Shiva's fierce cosmic dance, the Tandava, and tradition attributes it to Ravana, king of Lanka. Below is the complete Shiva Tandava Stotram in Kannada script, every line also in English letters, with the meaning of each verse in simple English.

  • Kannada script
  • 17 verses
  • 7 min
  • Attributed to Ravana, king of Lanka
  • Best on Monday
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The text

Shloka 1

ಜಟಾಟವೀಗಲಜ್ಜಲಪ್ರವಾಹಪಾವಿತಸ್ಥಲೇ Jatatavigalajjala Pravahapavitasthale

ಗಲೇಽವಲಂಬ್ಯ ಲಂಬಿತಾಂ ಭುಜಂಗತುಂಗಮಾಲಿಕಾಮ್ । Gale'valambya Lambitam Bhujangatunga Malikam

ಡಮಡ್ಡಮಡ್ಡಮಡ್ಡಮನ್ನಿನಾದವಡ್ಡಮರ್ವಯಂ Damad Damad Damad Daman Ninadavad Damarvayam

ಚಕಾರ ಚಂಡತಾಂಡವಂ ತನೋತು ನಃ ಶಿವಃ ಶಿವಮ್ ॥ Chakara Chanda Tandavam Tanotu Nah Shivah Shivam

Meaning

His neck made holy by the streams of the Ganga pouring from the forest of his matted hair, a great garland of serpents hanging at his throat, his damaru sounding "damad damad damad", Shiva danced the fierce Tandava. May that Shiva spread auspiciousness for us all.

ಜಟಾಟವೀ Jatatavi
the forest of matted hair
ಗಲಜ್ಜಲಪ್ರವಾಹ Galajjala Pravaha
streams of flowing water (the Ganga)
ಪಾವಿತಸ್ಥಲೇ Pavitasthale
on the ground (his neck) made holy
ಗಲೇ Gale
on his neck
ಅವಲಂಬ್ಯ Avalambya
having hung
ಲಂಬಿತಾಂ ಭುಜಂಗತುಂಗಮಾಲಿಕಾಮ್ Lambitam Bhujangatunga Malikam
a long, great garland of serpents
ಡಮಡ್ಡಮಡ್ಡಮಡ್ಡಮನ್ನಿನಾದವತ್ Damad Damad Damad Daman Ninadavat
sounding 'damad damad damad'
ಡಮರ್ವಯಮ್ Damarvayam
this damaru drum
ಚಕಾರ ಚಂಡತಾಂಡವಂ Chakara Chanda Tandavam
performed the fierce Tandava
ತನೋತು ನಃ Tanotu Nah
may he spread for us
ಶಿವಃ ಶಿವಮ್ Shivah Shivam
Shiva, auspiciousness
Shloka 2

ಜಟಾಕಟಾಹಸಂಭ್ರಮಭ್ರಮನ್ನಿಲಿಂಪನಿರ್ಝರೀ- Jatakatahasambhrama Bhramannilimpanirjhari

ವಿಲೋಲವೀಚಿವಲ್ಲರೀವಿರಾಜಮಾನಮೂರ್ಧನಿ । Vilolavichivallari Virajamanamurdhani

ಧಗದ್ಧಗದ್ಧಗಜ್ಜ್ವಲಲ್ಲಲಾಟಪಟ್ಟಪಾವಕೇ Dhagad Dhagad Dhagajjvalal Lalata Patta Pavake

ಕಿಶೋರಚಂದ್ರಶೇಖರೇ ರತಿಃ ಪ್ರತಿಕ್ಷಣಂ ಮಮ ॥ Kishora Chandrashekhare Ratih Pratikshanam Mama

Meaning

His head shines with the restless waves of the celestial Ganga whirling in the cauldron of his matted hair; on his forehead a fire blazes "dhagad dhagad"; he wears the young crescent moon as his crown. May my love for this Shiva grow every moment.

ಜಟಾಕಟಾಹ Jatakataha
the cauldron of his matted hair
ಸಂಭ್ರಮಭ್ರಮತ್ Sambhrama Bhramat
swirling wildly
ನಿಲಿಂಪನಿರ್ಝರೀ Nilimpanirjhari
the celestial river Ganga
ವಿಲೋಲವೀಚಿವಲ್ಲರೀ Vilolavichivallari
rows of restless waves
ವಿರಾಜಮಾನಮೂರ್ಧನಿ Virajamanamurdhani
on whose head they shine
ಧಗದ್ಧಗದ್ಧಗಜ್ಜ್ವಲತ್ Dhagad Dhagad Dhagajjvalat
blazing 'dhagad dhagad'
ಲಲಾಟಪಟ್ಟಪಾವಕೇ Lalata Patta Pavake
with fire on the plane of his forehead
ಕಿಶೋರಚಂದ್ರಶೇಖರೇ Kishora Chandrashekhare
in him who wears the young crescent moon
ರತಿಃ ಪ್ರತಿಕ್ಷಣಂ ಮಮ Ratih Pratikshanam Mama
my love, every moment
Shloka 3

ಧರಾಧರೇಂದ್ರನಂದಿನೀವಿಲಾಸಬಂಧುಬಂಧುರ- Dharadharendra Nandini Vilasa Bandhu Bandhura

ಸ್ಫುರದ್ದಿಗಂತಸಂತತಿಪ್ರಮೋದಮಾನಮಾನಸೇ । Sphurad Diganta Santati Pramodamana Manase

ಕೃಪಾಕಟಾಕ್ಷಧೋರಣೀನಿರುದ್ಧದುರ್ಧರಾಪದಿ Kripa Kataksha Dhorani Niruddha Durdharapadi

ಕ್ವಚಿದ್ದಿಗಂಬರೇ ಮನೋ ವಿನೋದಮೇತು ವಸ್ತುನಿ ॥ Kvachid Digambare Mano Vinodam Etu Vastuni

Meaning

He delights in the playful grace of Parvati, daughter of the mountain king; his mind rejoices in all creation, shining to the ends of the directions; the stream of his merciful glances halts even the hardest misfortunes. May my mind find its joy in that Supreme Reality, Digambara, clothed only by the sky.

ಧರಾಧರೇಂದ್ರನಂದಿನೀ Dharadharendra Nandini
Parvati, daughter of the mountain king
ವಿಲಾಸಬಂಧುಬಂಧುರ Vilasa Bandhu Bandhura
delighting in her playful grace
ಸ್ಫುರದ್ದಿಗಂತಸಂತತಿ Sphurad Diganta Santati
all beings shining to the ends of the directions
ಪ್ರಮೋದಮಾನಮಾನಸೇ Pramodamana Manase
whose mind rejoices
ಕೃಪಾಕಟಾಕ್ಷಧೋರಣೀ Kripa Kataksha Dhorani
the stream of his merciful glances
ನಿರುದ್ಧದುರ್ಧರಾಪದಿ Niruddha Durdharapadi
which stops even the hardest calamities
ಕ್ವಚಿತ್ Kvachit
at some time, somewhere
ದಿಗಂಬರೇ Digambare
in Digambara, clothed by the directions
ಮನೋ ವಿನೋದಮ್ ಏತು Mano Vinodam Etu
may my mind find delight
ವಸ್ತುನಿ Vastuni
in that Supreme Reality
Shloka 4

ಜಟಾಭುಜಂಗಪಿಂಗಲಸ್ಫುರತ್ಫಣಾಮಣಿಪ್ರಭಾ- Jata Bhujanga Pingala Sphurat Phana Mani Prabha

ಕದಂಬಕುಂಕುಮದ್ರವಪ್ರಲಿಪ್ತದಿಗ್ವಧೂಮುಖೇ । Kadamba Kunkuma Drava Pralipta Digvadhu Mukhe

ಮದಾಂಧಸಿಂಧುರಸ್ಫುರತ್ತ್ವಗುತ್ತರೀಯಮೇದುರೇ Madandha Sindhura Sphurat Tvag Uttariya Medure

ಮನೋ ವಿನೋದಮದ್ಭುತಂ ಬಿಭರ್ತು ಭೂತಭರ್ತರಿ ॥ Mano Vinodam Adbhutam Bibhartu Bhutabhartari

Meaning

The tawny light of the gems on the hoods of the serpents in his hair paints the faces of the directions as if with saffron; he wears the glossy hide of a maddened elephant as his upper cloth. May my mind find a wondrous joy in him, the sustainer of all beings.

ಜಟಾಭುಜಂಗ Jata Bhujanga
the serpents in his matted hair
ಪಿಂಗಲಸ್ಫುರತ್ಫಣಾಮಣಿಪ್ರಭಾ Pingala Sphurat Phana Mani Prabha
the tawny glow of gems on their shining hoods
ಕದಂಬಕುಂಕುಮದ್ರವ Kadamba Kunkuma Drava
like a wash of saffron paste
ಪ್ರಲಿಪ್ತದಿಗ್ವಧೂಮುಖೇ Pralipta Digvadhu Mukhe
painting the faces of the maidens of the directions
ಮದಾಂಧಸಿಂಧುರ Madandha Sindhura
a maddened elephant
ಸ್ಫುರತ್ತ್ವಗುತ್ತರೀಯಮೇದುರೇ Sphurat Tvag Uttariya Medure
wearing its glossy hide as an upper cloth
ಮನೋ ವಿನೋದಮ್ ಅದ್ಭುತಂ ಬಿಭರ್ತು Mano Vinodam Adbhutam Bibhartu
may my mind hold a wondrous joy
ಭೂತಭರ್ತರಿ Bhutabhartari
in the sustainer of all beings
Shloka 5

ಸಹಸ್ರಲೋಚನಪ್ರಭೃತ್ಯಶೇಷಲೇಖಶೇಖರ- Sahasra Lochana Prabhrityashesha Lekha Shekhara

ಪ್ರಸೂನಧೂಲಿಧೋರಣೀವಿಧೂಸರಾಂಘ್ರಿಪೀಠಭೂಃ । Prasuna Dhuli Dhorani Vidhusaranghri Pithabhuh

ಭುಜಂಗರಾಜಮಾಲಯಾ ನಿಬದ್ಧಜಾಟಜೂಟಕಃ Bhujangaraja Malaya Nibaddha Jatajutakah

ಶ್ರಿಯೈ ಚಿರಾಯ ಜಾಯತಾಂ ಚಕೋರಬಂಧುಶೇಖರಃ ॥ Shriyai Chiraya Jayatam Chakora Bandhu Shekharah

Meaning

His footstool is grey with pollen falling from the flowers in the crowns of Indra and all the gods as they bow; his knot of matted hair is tied with a garland of the king of serpents. May he whose crest is the moon, beloved of the chakora bird, grant us lasting prosperity.

ಸಹಸ್ರಲೋಚನಪ್ರಭೃತಿ Sahasra Lochana Prabhriti
Indra, the thousand-eyed, and the rest
ಅಶೇಷಲೇಖಶೇಖರ Ashesha Lekha Shekhara
the crowns of all the gods
ಪ್ರಸೂನಧೂಲಿಧೋರಣೀ Prasuna Dhuli Dhorani
the steady fall of flower pollen
ವಿಧೂಸರಾಂಘ್ರಿಪೀಠಭೂಃ Vidhusaranghri Pithabhuh
whose footstool is grey with it
ಭುಜಂಗರಾಜಮಾಲಯಾ Bhujangaraja Malaya
with a garland of the king of serpents
ನಿಬದ್ಧಜಾಟಜೂಟಕಃ Nibaddha Jatajutakah
whose knot of matted hair is tied
ಶ್ರಿಯೈ ಚಿರಾಯ ಜಾಯತಾಂ Shriyai Chiraya Jayatam
may he be for lasting prosperity
ಚಕೋರಬಂಧುಶೇಖರಃ Chakora Bandhu Shekharah
he whose crest is the moon, friend of the chakora bird
Shloka 6

ಲಲಾಟಚತ್ವರಜ್ವಲದ್ಧನಂಜಯಸ್ಫುಲಿಂಗಭಾ- Lalata Chatvara Jvalad Dhananjaya Sphulingabha

ನಿಪೀತಪಂಚಸಾಯಕಂ ನಮನ್ನಿಲಿಂಪನಾಯಕಮ್ । Nipita Panchasayakam Naman Nilimpa Nayakam

ಸುಧಾಮಯೂಖಲೇಖಯಾ ವಿರಾಜಮಾನಶೇಖರಂ Sudha Mayukha Lekhaya Virajamana Shekharam

ಮಹಾಕಪಾಲಿ ಸಂಪದೇ ಶಿರೋ ಜಟಾಲಮಸ್ತು ನಃ ॥ Maha Kapali Sampade Shiro Jatalam Astu Nah

Meaning

From the broad plane of his forehead the sparks of a blazing fire swallowed Kamadeva, the god of five arrows; the lord of the gods bows before him; his crest shines with the slender streak of the nectar-rayed moon. May that matted head of the great Kapali bring us true wealth.

ಲಲಾಟಚತ್ವರ Lalata Chatvara
the broad square of his forehead
ಜ್ವಲದ್ಧನಂಜಯಸ್ಫುಲಿಂಗಭಾ Jvalad Dhananjaya Sphulingabha
the sparks of the blazing fire
ನಿಪೀತಪಂಚಸಾಯಕಂ Nipita Panchasayakam
which swallowed Kamadeva, god of five arrows
ನಮನ್ನಿಲಿಂಪನಾಯಕಮ್ Naman Nilimpa Nayakam
to whom the lord of the gods bows
ಸುಧಾಮಯೂಖಲೇಖಯಾ Sudha Mayukha Lekhaya
with the streak of the nectar-rayed moon
ವಿರಾಜಮಾನಶೇಖರಂ Virajamana Shekharam
whose crest shines
ಮಹಾಕಪಾಲಿ Maha Kapali
of the great Kapali (Shiva)
ಸಂಪದೇ Sampade
for prosperity
ಶಿರೋ ಜಟಾಲಮ್ ಅಸ್ತು ನಃ Shiro Jatalam Astu Nah
may that matted head be for us
Shloka 7

ಕರಾಲಭಾಲಪಟ್ಟಿಕಾಧಗದ್ಧಗದ್ಧಗಜ್ಜ್ವಲ- Karala Bhala Pattika Dhagad Dhagad Dhagajjvalad

ದ್ಧನಂಜಯಾಹುತೀಕೃತಪ್ರಚಂಡಪಂಚಸಾಯಕೇ । Dhananjayahuti Krita Prachanda Panchasayake

ಧರಾಧರೇಂದ್ರನಂದಿನೀಕುಚಾಗ್ರಚಿತ್ರಪತ್ರಕ- Dharadharendra Nandini Kuchagra Chitra Patraka

ಪ್ರಕಲ್ಪನೈಕಶಿಲ್ಪಿನಿ ತ್ರಿಲೋಚನೇ ರತಿರ್ಮಮ ॥ Prakalpanaika Shilpini Trilochane Ratir Mama

Meaning

Into the fire blazing "dhagad dhagad" on his fierce forehead he offered mighty Kamadeva as an oblation; and he alone is the artist who paints loving ornamental designs on the bosom of Parvati, the mountain king's daughter. My heart's love is for the three-eyed Lord.

ಕರಾಲಭಾಲಪಟ್ಟಿಕಾ Karala Bhala Pattika
the fierce plane of his forehead
ಧಗದ್ಧಗದ್ಧಗಜ್ಜ್ವಲದ್ಧನಂಜಯ Dhagad Dhagad Dhagajjvalad Dhananjaya
the fire blazing 'dhagad dhagad'
ಆಹುತೀಕೃತಪ್ರಚಂಡಪಂಚಸಾಯಕೇ Ahuti Krita Prachanda Panchasayake
into which he offered the mighty Kamadeva
ಧರಾಧರೇಂದ್ರನಂದಿನೀ Dharadharendra Nandini
Parvati, the mountain king's daughter
ಕುಚಾಗ್ರಚಿತ್ರಪತ್ರಕಪ್ರಕಲ್ಪನ Kuchagra Chitra Patraka Prakalpana
drawing ornamental leaf-patterns on her bosom
ಏಕಶಿಲ್ಪಿನಿ Ekashilpini
the one true artist
ತ್ರಿಲೋಚನೇ Trilochane
in the three-eyed one
ರತಿರ್ಮಮ Ratir Mama
is my love
Shloka 8

ನವೀನಮೇಘಮಂಡಲೀನಿರುದ್ಧದುರ್ಧರಸ್ಫುರತ್- Navina Megha Mandali Niruddha Durdhara Sphurat

ಕುಹೂನಿಶೀಥಿನೀತಮಃಪ್ರಬಂಧಬದ್ಧಕಂಧರಃ । Kuhu Nishithini Tamah Prabandha Baddha Kandharah

ನಿಲಿಂಪನಿರ್ಝರೀಧರಸ್ತನೋತು ಕೃತ್ತಿಸಿಂಧುರಃ Nilimpa Nirjharidharas Tanotu Kritti Sindhurah

ಕಲಾನಿಧಾನಬಂಧುರಃ ಶ್ರಿಯಂ ಜಗದ್ಧುರಂಧರಃ ॥ Kalanidhana Bandhurah Shriyam Jagad Dhurandharah

Meaning

His throat is dark as a new-moon midnight wrapped in dense, fresh rain-clouds; he bears the celestial Ganga, wears the elephant's hide, is lovely with the moon, and carries the burden of the whole world. May that Shiva spread prosperity for us.

ನವೀನಮೇಘಮಂಡಲೀ Navina Megha Mandali
a mass of fresh rain-clouds
ನಿರುದ್ಧದುರ್ಧರಸ್ಫುರತ್ Niruddha Durdhara Sphurat
closing in, dense and deepening
ಕುಹೂನಿಶೀಥಿನೀತಮಃ Kuhu Nishithini Tamah
the darkness of a new-moon midnight
ಪ್ರಬಂಧಬದ್ಧಕಂಧರಃ Prabandha Baddha Kandharah
whose throat is bound with it
ನಿಲಿಂಪನಿರ್ಝರೀಧರಃ Nilimpa Nirjharidharah
bearer of the celestial Ganga
ತನೋತು Tanotu
may he spread
ಕೃತ್ತಿಸಿಂಧುರಃ Kritti Sindhurah
who wears the elephant's hide
ಕಲಾನಿಧಾನಬಂಧುರಃ Kalanidhana Bandhurah
lovely with the moon
ಶ್ರಿಯಂ Shriyam
prosperity
ಜಗದ್ಧುರಂಧರಃ Jagad Dhurandharah
who bears the burden of the world
Shloka 9

ಪ್ರಫುಲ್ಲನೀಲಪಂಕಜಪ್ರಪಂಚಕಾಲಿಮಪ್ರಭಾ- Praphulla Nila Pankaja Prapancha Kalima Prabha

ವಲಂಬಿಕಂಠಕಂದಲೀರುಚಿಪ್ರಬದ್ಧಕಂಧರಮ್ । Valambi Kantha Kandali Ruchi Prabaddha Kandharam

ಸ್ಮರಚ್ಛಿದಂ ಪುರಚ್ಛಿದಂ ಭವಚ್ಛಿದಂ ಮಖಚ್ಛಿದಂ Smarachchhidam Purachchhidam Bhavachchhidam Makhachchhidam

ಗಜಚ್ಛಿದಾಂಧಕಚ್ಛಿದಂ ತಮಂತಕಚ್ಛಿದಂ ಭಜೇ ॥ Gajachchhidandhakachchhidam Tam Antakachchhidam Bhaje

Meaning

His throat glows with the deep blue sheen of fully bloomed blue lotuses. I worship him who destroyed Kama and the three demon cities, who cuts the bonds of worldly life, who ended Daksha's sacrifice, who slew the elephant demon and Andhaka, and who conquered even Yama, death himself.

ಪ್ರಫುಲ್ಲನೀಲಪಂಕಜ Praphulla Nila Pankaja
fully bloomed blue lotuses
ಪ್ರಪಂಚಕಾಲಿಮಪ್ರಭಾವಲಂಬಿ Prapancha Kalima Prabhavalambi
bearing their spreading dark glow
ಕಂಠಕಂದಲೀರುಚಿಪ್ರಬದ್ಧಕಂಧರಮ್ Kantha Kandali Ruchi Prabaddha Kandharam
whose throat is bound in that lovely dark sheen
ಸ್ಮರಚ್ಛಿದಂ Smarachchhidam
destroyer of Kama
ಪುರಚ್ಛಿದಂ Purachchhidam
destroyer of the three cities (Tripura)
ಭವಚ್ಛಿದಂ Bhavachchhidam
who cuts the bonds of worldly life
ಮಖಚ್ಛಿದಂ Makhachchhidam
who ended Daksha's sacrifice
ಗಜಚ್ಛಿದ್ Gajachchhid
slayer of the elephant demon
ಅಂಧಕಚ್ಛಿದಂ Andhakachchhidam
slayer of the demon Andhaka
ತಮ್ ಅಂತಕಚ್ಛಿದಂ ಭಜೇ Tam Antakachchhidam Bhaje
I worship him who subdued Yama, death itself
Shloka 10

ಅಖರ್ವಸರ್ವಮಂಗಲಾಕಲಾಕದಂಬಮಂಜರೀ- Akharva Sarva Mangala Kala Kadamba Manjari

ರಸಪ್ರವಾಹಮಾಧುರೀವಿಜೃಂಭಣಾಮಧುವ್ರತಮ್ । Rasa Pravaha Madhuri Vijrimbhana Madhuvratam

ಸ್ಮರಾಂತಕಂ ಪುರಾಂತಕಂ ಭವಾಂತಕಂ ಮಖಾಂತಕಂ Smarantakam Purantakam Bhavantakam Makhantakam

ಗಜಾಂತಕಾಂಧಕಾಂತಕಂ ತಮಂತಕಾಂತಕಂ ಭಜೇ ॥ Gajantakandhakantakam Tam Antakantakam Bhaje

Meaning

He is the bee who revels in the sweet, flowing nectar of the boundless cluster of graces of Parvati, the all-auspicious. I worship him who ended Kama, Tripura, worldly bondage and Daksha's sacrifice, who ended Gajasura and Andhaka, and who is the ender of Death itself.

ಅಖರ್ವ Akharva
boundless, never small
ಸರ್ವಮಂಗಲಾ Sarva Mangala
Parvati, the all-auspicious
ಕಲಾಕದಂಬಮಂಜರೀ Kala Kadamba Manjari
the blossoming cluster of her arts and graces
ರಸಪ್ರವಾಹಮಾಧುರೀ Rasa Pravaha Madhuri
the sweetness of its flowing nectar
ವಿಜೃಂಭಣಾಮಧುವ್ರತಮ್ Vijrimbhana Madhuvratam
the bee who revels in it
ಸ್ಮರಾಂತಕಂ ಪುರಾಂತಕಂ Smarantakam Purantakam
ender of Kama, ender of Tripura
ಭವಾಂತಕಂ ಮಖಾಂತಕಂ Bhavantakam Makhantakam
ender of worldly bondage, ender of Daksha's sacrifice
ಗಜಾಂತಕಾಂಧಕಾಂತಕಂ Gajantakandhakantakam
ender of Gajasura and Andhaka
ತಮ್ ಅಂತಕಾಂತಕಂ ಭಜೇ Tam Antakantakam Bhaje
I worship him, the ender of Death
Shloka 11

ಜಯತ್ವದಭ್ರವಿಭ್ರಮಭ್ರಮದ್ಭುಜಂಗಮಶ್ವಸ- Jayatvadabhra Vibhrama Bhramad Bhujangamashvasad

ದ್ವಿನಿರ್ಗಮತ್ಕ್ರಮಸ್ಫುರತ್ಕರಾಲಭಾಲಹವ್ಯವಾಟ್ । Vinirgamat Krama Sphurat Karala Bhala Havyavat

ಧಿಮಿದ್ಧಿಮಿದ್ಧಿಮಿದ್ಧ್ವನನ್ಮೃದಂಗತುಂಗಮಂಗಲ- Dhimid Dhimid Dhimid Dhvanan Mridanga Tunga Mangala

ಧ್ವನಿಕ್ರಮಪ್ರವರ್ತಿತಪ್ರಚಂಡತಾಂಡವಃ ಶಿವಃ ॥ Dhvani Krama Pravartita Prachanda Tandavah Shivah

Meaning

Victory to Shiva! As the serpents whirl in wide, swift circles about him, their hissing breath fans the fire on his fierce forehead higher and higher; and to the lofty, auspicious rhythm of the mridanga sounding "dhimid dhimid dhimid", he dances the fierce Tandava.

ಜಯತು Jayatu
victory to
ಅದಭ್ರವಿಭ್ರಮಭ್ರಮತ್ Adabhra Vibhrama Bhramat
whirling in wide, swift circles
ಭುಜಂಗಮಶ್ವಸದ್ವಿನಿರ್ಗಮತ್ Bhujangama Shvasad Vinirgamat
the hissing breath of the serpents
ಕ್ರಮಸ್ಫುರತ್ಕರಾಲಭಾಲಹವ್ಯವಾಟ್ Krama Sphurat Karala Bhala Havyavat
the fire on his fierce forehead flaring up by turns
ಧಿಮಿದ್ಧಿಮಿದ್ಧಿಮಿದ್ಧ್ವನತ್ Dhimid Dhimid Dhimid Dhvanat
sounding 'dhimid dhimid dhimid'
ಮೃದಂಗತುಂಗಮಂಗಲಧ್ವನಿಕ್ರಮ Mridanga Tunga Mangala Dhvani Krama
the lofty, auspicious rhythm of the mridanga
ಪ್ರವರ್ತಿತಪ್ರಚಂಡತಾಂಡವಃ Pravartita Prachanda Tandavah
who performs the fierce Tandava to it
ಶಿವಃ Shivah
Shiva
Shloka 12

ದೃಷದ್ವಿಚಿತ್ರತಲ್ಪಯೋರ್ಭುಜಂಗಮೌಕ್ತಿಕಸ್ರಜೋರ್- Drishad Vichitra Talpayor Bhujanga Mauktika Srajor

ಗರಿಷ್ಠರತ್ನಲೋಷ್ಠಯೋಃ ಸುಹೃದ್ವಿಪಕ್ಷಪಕ್ಷಯೋಃ । Garishtha Ratna Loshthayoh Suhrid Vipaksha Pakshayoh

ತೃಣಾರವಿಂದಚಕ್ಷುಷೋಃ ಪ್ರಜಾಮಹೀಮಹೇಂದ್ರಯೋಃ Trinaravinda Chakshushoh Praja Mahi Mahendrayoh

ಸಮಪ್ರವೃತ್ತಿಕಃ ಕದಾ ಸದಾಶಿವಂ ಭಜಾಮ್ಯಹಮ್ ॥ Sama Pravrittikah Kada Sadashivam Bhajamyaham

Meaning

A rock or a fine bed, a snake or a string of pearls, a precious gem or a lump of clay, friend or foe, a blade of grass or a lotus-eyed beauty, a common subject or an emperor: when will I look on all of these with an even mind and simply worship Sadashiva?

ದೃಷದ್ವಿಚಿತ್ರತಲ್ಪಯೋಃ Drishad Vichitra Talpayoh
towards a rock and a richly made bed
ಭುಜಂಗಮೌಕ್ತಿಕಸ್ರಜೋಃ Bhujanga Mauktika Srajoh
a snake and a pearl necklace
ಗರಿಷ್ಠರತ್ನಲೋಷ್ಠಯೋಃ Garishtha Ratna Loshthayoh
a precious gem and a lump of clay
ಸುಹೃದ್ವಿಪಕ್ಷಪಕ್ಷಯೋಃ Suhrid Vipaksha Pakshayoh
friend and foe
ತೃಣಾರವಿಂದಚಕ್ಷುಷೋಃ Trinaravinda Chakshushoh
a blade of grass and a lotus-eyed beauty
ಪ್ರಜಾಮಹೀಮಹೇಂದ್ರಯೋಃ Praja Mahi Mahendrayoh
a common subject and an emperor
ಸಮಪ್ರವೃತ್ತಿಕಃ Sama Pravrittikah
with an even mind
ಕದಾ ಸದಾಶಿವಂ ಭಜಾಮ್ಯಹಮ್ Kada Sadashivam Bhajamyaham
when shall I worship Sadashiva?

Many recordings sing the last line as "समं प्रवर्तयन्मनः कदा सदाशिवं भजे" (samam pravartayan manah kada sadashivam bhaje). We print "समप्रवृत्तिकः कदा सदाशिवं भजाम्यहम्". The meaning is the same: when will I, with an even mind, worship Sadashiva?

Shloka 13

ಕದಾ ನಿಲಿಂಪನಿರ್ಝರೀನಿಕುಂಜಕೋಟರೇ ವಸನ್ Kada Nilimpa Nirjhari Nikunja Kotare Vasan

ವಿಮುಕ್ತದುರ್ಮತಿಃ ಸದಾ ಶಿರಃಸ್ಥಮಂಜಲಿಂ ವಹನ್ । Vimukta Durmatih Sada Shirahstham Anjalim Vahan

ವಿಲೋಲಲೋಲಲೋಚನೋ ಲಲಾಮಭಾಲಲಗ್ನಕಃ Vilola Lola Lochano Lalama Bhala Lagnakah

ಶಿವೇತಿ ಮಂತ್ರಮುಚ್ಚರನ್ ಕದಾ ಸುಖೀ ಭವಾಮ್ಯಹಮ್ ॥ Shiveti Mantram Uchcharan Kada Sukhi Bhavamyaham

Meaning

When will I live in a hollow among the groves beside the celestial Ganga, free of wrong thoughts, my palms always joined above my head, my eyes moist and restless with longing, my mind fixed on the Lord whose forehead bears the crescent, chanting the mantra "Shiva"? When will I be truly happy?

ಕದಾ Kada
when
ನಿಲಿಂಪನಿರ್ಝರೀನಿಕುಂಜಕೋಟರೇ Nilimpa Nirjhari Nikunja Kotare
in a hollow of the groves by the celestial Ganga
ವಸನ್ Vasan
living
ವಿಮುಕ್ತದುರ್ಮತಿಃ Vimukta Durmatih
freed from wrong thoughts
ಸದಾ ಶಿರಃಸ್ಥಮ್ ಅಂಜಲಿಂ ವಹನ್ Sada Shirahstham Anjalim Vahan
always holding joined palms above my head
ವಿಲೋಲಲೋಲಲೋಚನಃ Vilola Lola Lochanah
with eyes moist and moving (in devotion)
ಲಲಾಮಭಾಲಲಗ್ನಕಃ Lalama Bhala Lagnakah
fixed on him of the adorned forehead
ಶಿವೇತಿ ಮಂತ್ರಮ್ ಉಚ್ಚರನ್ Shiveti Mantram Uchcharan
chanting the mantra 'Shiva'
ಕದಾ ಸುಖೀ ಭವಾಮ್ಯಹಮ್ Kada Sukhi Bhavamyaham
when shall I be truly happy?
Shloka 14

ನಿಲಿಂಪನಾಥನಾಗರೀಕದಂಬಮೌಲಮಲ್ಲಿಕಾ- Nilimpa Natha Nagari Kadamba Maula Mallika

ನಿಗುಂಫನಿರ್ಭರಕ್ಷರನ್ಮಧೂಷ್ಣಿಕಾಮನೋಹರಃ । Nigumpha Nirbhara Ksharan Madhushnika Manoharah

ತನೋತು ನೋ ಮನೋಮುದಂ ವಿನೋದಿನೀಮಹರ್ನಿಶಂ Tanotu No Mano Mudam Vinodinim Aharnisham

ಪರಶ್ರಿಯಃ ಪರಂ ಪದಂ ತದಂಗಜತ್ವಿಷಾಂ ಚಯಃ ॥ Parashriyah Param Padam Tad Angaja Tvisham Chayah

Meaning

Made lovelier by the sweet fragrance dripping from the jasmine garlands woven into the hair of the celestial women of Indra's city, the radiance that streams from Shiva's limbs is the supreme home of all glory. May it fill our minds with delight, day and night.

ನಿಲಿಂಪನಾಥನಾಗರೀಕದಂಬ Nilimpa Natha Nagari Kadamba
the many celestial women of Indra's city
ಮೌಲಮಲ್ಲಿಕಾನಿಗುಂಫ Maula Mallika Nigumpha
jasmine garlands woven in their hair
ನಿರ್ಭರಕ್ಷರನ್ಮಧೂಷ್ಣಿಕಾ Nirbhara Ksharan Madhushnika
richly dripping honey-sweet fragrance
ಮನೋಹರಃ Manoharah
enchanting
ತನೋತು ನೋ ಮನೋಮುದಂ Tanotu No Mano Mudam
may it spread joy in our minds
ವಿನೋದಿನೀಮ್ ಅಹರ್ನಿಶಂ Vinodinim Aharnisham
delightful, day and night
ಪರಶ್ರಿಯಃ ಪರಂ ಪದಂ Parashriyah Param Padam
the supreme abode of the highest glory
ತದಂಗಜತ್ವಿಷಾಂ ಚಯಃ Tad Angaja Tvisham Chayah
the mass of radiance from his limbs

Shlokas 14 and 15 appear in the common Sanskrit edition but are left out of many popular recordings.

Shloka 15

ಪ್ರಚಂಡವಾಡವಾನಲಪ್ರಭಾಶುಭಪ್ರಚಾರಣೀ Prachanda Vadavanala Prabha Shubha Pracharani

ಮಹಾಷ್ಟಸಿದ್ಧಿಕಾಮಿನೀಜನಾಽವಹೂತಜಲ್ಪನಾ । Mahashta Siddhi Kamini Janavahuta Jalpana

ವಿಮುಕ್ತವಾಮಲೋಚನಾವಿವಾಹಕಾಲಿಕಧ್ವನಿಃ Vimukta Vama Lochana Vivaha Kalika Dhvanih

ಶಿವೇತಿ ಮಂತ್ರಭೂಷಣಾ ಜಗಜ್ಜಯಾಯ ಜಾಯತಾಮ್ ॥ Shiveti Mantra Bhushana Jagaj Jayaya Jayatam

Meaning

May the sound heard at the wedding of Shiva and the lovely-eyed Parvati, echoed by the calls of the maidens who are the eight great siddhis, bright as the fierce fire beneath the ocean and spreading auspiciousness, and adorned by the mantra "Shiva", bring victory to the whole world.

ಪ್ರಚಂಡವಾಡವಾನಲಪ್ರಭಾ Prachanda Vadavanala Prabha
bright as the fierce fire beneath the ocean
ಶುಭಪ್ರಚಾರಣೀ Shubha Pracharani
spreading auspiciousness
ಮಹಾಷ್ಟಸಿದ್ಧಿಕಾಮಿನೀಜನ Mahashta Siddhi Kamini Jana
the maidens who are the eight great siddhis
ಅವಹೂತಜಲ್ಪನಾ Avahuta Jalpana
echoed by their calls
ವಿಮುಕ್ತವಾಮಲೋಚನಾ Vimukta Vama Lochana
the lovely-eyed bride (Parvati)
ವಿವಾಹಕಾಲಿಕಧ್ವನಿಃ Vivaha Kalika Dhvanih
the sound heard at the hour of the wedding
ಶಿವೇತಿ ಮಂತ್ರಭೂಷಣಾ Shiveti Mantra Bhushana
adorned by the mantra 'Shiva'
ಜಗಜ್ಜಯಾಯ ಜಾಯತಾಮ್ Jagaj Jayaya Jayatam
may it bring victory to the world

This is the hardest verse to render; commentators divide its long compounds in different ways, and the meaning given here is one traditional reading.

Phalashruti 1 (shloka 16)

ಇಮಂ ಹಿ ನಿತ್ಯಮೇವಮುಕ್ತಮುತ್ತಮೋತ್ತಮಂ ಸ್ತವಂ Imam Hi Nityam Evam Uktam Uttamottamam Stavam

ಪಠನ್ಸ್ಮರನ್ಬ್ರುವನ್ನರೋ ವಿಶುದ್ಧಿಮೇತಿ ಸಂತತಮ್ । Pathan Smaran Bruvan Naro Vishuddhim Eti Santatam

ಹರೇ ಗುರೌ ಸುಭಕ್ತಿಮಾಶು ಯಾತಿ ನಾನ್ಯಥಾ ಗತಿಂ Hare Gurau Subhaktim Ashu Yati Nanyatha Gatim

ವಿಮೋಹನಂ ಹಿ ದೇಹಿನಾಂ ಸುಶಂಕರಸ್ಯ ಚಿಂತನಮ್ ॥ Vimohanam Hi Dehinam Sushankarasya Chintanam

Meaning

Whoever daily reads, remembers or recites this most excellent hymn, just as it has been told, is ever purified and soon gains deep devotion to Hara, the true Guru; there is no other way. For meditation on the gracious Shankara, tradition holds, dispels the delusion of all embodied beings.

ಇಮಂ ಹಿ Imam Hi
this indeed
ನಿತ್ಯಮ್ Nityam
daily
ಏವಮ್ ಉಕ್ತಮ್ Evam Uktam
as it has been told
ಉತ್ತಮೋತ್ತಮಂ ಸ್ತವಂ Uttamottamam Stavam
this most excellent hymn
ಪಠನ್ಸ್ಮರನ್ಬ್ರುವನ್ Pathan Smaran Bruvan
reading, remembering or reciting
ನರಃ Narah
a person
ವಿಶುದ್ಧಿಮ್ ಏತಿ ಸಂತತಮ್ Vishuddhim Eti Santatam
is ever purified
ಹರೇ ಗುರೌ ಸುಭಕ್ತಿಮ್ Hare Gurau Subhaktim
deep devotion to Hara, the Guru
ಆಶು ಯಾತಿ Ashu Yati
quickly attains
ನಾನ್ಯಥಾ ಗತಿಂ Nanyatha Gatim
there is no other path
ವಿಮೋಹನಂ ಹಿ ದೇಹಿನಾಂ Vimohanam Hi Dehinam
removes the delusion of embodied beings
ಸುಶಂಕರಸ್ಯ ಚಿಂತನಮ್ Sushankarasya Chintanam
meditation on the gracious Shankara

Shlokas 16 and 17 are the phalashruti, verses describing the fruit of reciting the hymn.

Phalashruti 2 (shloka 17)

ಪೂಜಾವಸಾನಸಮಯೇ ದಶವಕ್ತ್ರಗೀತಂ Pujavasana Samaye Dashavaktra Gitam

ಯಃ ಶಂಭುಪೂಜನಪರಂ ಪಠತಿ ಪ್ರದೋಷೇ । Yah Shambhu Pujana Param Pathati Pradoshe

ತಸ್ಯ ಸ್ಥಿರಾಂ ರಥಗಜೇಂದ್ರತುರಂಗಯುಕ್ತಾಂ Tasya Sthiram Ratha Gajendra Turanga Yuktam

ಲಕ್ಷ್ಮೀಂ ಸದೈವ ಸುಮುಖೀಂ ಪ್ರದದಾತಿ ಶಂಭುಃ ॥ Lakshmim Sadaiva Sumukhim Pradadati Shambhuh

Meaning

Whoever, at the close of worship on the evening of Pradosha, recites this hymn sung by the ten-headed Ravana in praise of Shambhu, is granted by Shambhu, tradition holds, a steady and ever-gracious prosperity, rich with chariots, fine elephants and horses.

ಪೂಜಾವಸಾನಸಮಯೇ Pujavasana Samaye
at the close of worship
ದಶವಕ್ತ್ರಗೀತಂ Dashavaktra Gitam
sung by the ten-headed Ravana
ಯಃ Yah
whoever
ಶಂಭುಪೂಜನಪರಂ Shambhu Pujana Param
devoted to the worship of Shambhu
ಪಠತಿ ಪ್ರದೋಷೇ Pathati Pradoshe
recites at Pradosha
ತಸ್ಯ Tasya
to him
ಸ್ಥಿರಾಂ Sthiram
steady, lasting
ರಥಗಜೇಂದ್ರತುರಂಗಯುಕ್ತಾಂ Ratha Gajendra Turanga Yuktam
with chariots, fine elephants and horses
ಲಕ್ಷ್ಮೀಂ Lakshmim
prosperity (Lakshmi)
ಸದೈವ ಸುಮುಖೀಂ Sadaiva Sumukhim
ever gracious
ಪ್ರದದಾತಿ ಶಂಭುಃ Pradadati Shambhuh
Shambhu bestows

About Shiva Tandava Stotram

Popular tradition tells that Ravana, proud of his strength, tried to lift Mount Kailasa. Shiva pressed the mountain down with a single toe, pinning him beneath it, and Ravana, in pain and then in devotion, poured out this hymn. Pleased, Shiva released him and, the story goes, gave him the name Ravana, "the one who roared". Whatever its origin, the hymn is loved for its sound: it is written in the panchachamara metre, sixteen syllables a line with short and long syllables alternating, so that words like "damad damad damad" and "dhimid dhimid" beat like a drum.

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Questions

Is this the same Shiva Tandava Stotram that is sung in Hindi?

Yes. These are the same Sanskrit words, written in Kannada letters so you can read them aloud. It is a transliteration, not a translation into Kannada. The meaning of each verse is given in English.

How was the Kannada text prepared?

We keep one checked Devanagari edition (Shiva Tandava Stotram (15 shlokas + 2 phalashruti) as attributed to Ravana; text collated from sanskritdocuments.org (shivtAND), sa.wikisource.org (शिवताण्डवस्तोत्रम्) and stotranidhi.com (Devanagari edition)) and write it in Kannada letters with fixed spelling rules, so every verse matches the original letter for letter. The English-letter line is the common singing spelling.

Source: Shiva Tandava Stotram (15 shlokas + 2 phalashruti) as attributed to Ravana; text collated from sanskritdocuments.org (shivtAND), sa.wikisource.org (शिवताण्डवस्तोत्रम्) and stotranidhi.com (Devanagari edition)

The Kannada lettering is generated from our Devanagari edition. If any letter looks wrong to you, please tell us.

The meanings are our own first draft. A scholar has not reviewed them yet. If you spot a mistake, please tell us.

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