Shiva Tandava Stotram in Malayalam

ശിവ താണ്ഡവ സ്തോത്രം

The Shiva Tandava Stotram is a Sanskrit hymn describing Shiva's fierce cosmic dance, the Tandava, and tradition attributes it to Ravana, king of Lanka. Below is the complete Shiva Tandava Stotram in Malayalam script, every line also in English letters, with the meaning of each verse in simple English.

  • Malayalam script
  • 17 verses
  • 7 min
  • Attributed to Ravana, king of Lanka
  • Best on Monday
Open in the reader

Recite line by line, listen, count with a mala. The reader opens in Malayalam.

Free PDF: EnglishHindiTeluguTamil

The text

Shloka 1

ജടാടവീഗലജ്ജലപ്രവാഹപാവിതസ്ഥലേ Jatatavigalajjala Pravahapavitasthale

ഗലേഽവലംബ്യ ലംബിതാം ഭുജംഗതുംഗമാലികാം । Gale'valambya Lambitam Bhujangatunga Malikam

ഡമഡ്ഡമഡ്ഡമഡ്ഡമന്നിനാദവഡ്ഡമർവയം Damad Damad Damad Daman Ninadavad Damarvayam

ചകാര ചണ്ഡതാണ്ഡവം തനോതു നഃ ശിവഃ ശിവം ॥ Chakara Chanda Tandavam Tanotu Nah Shivah Shivam

Meaning

His neck made holy by the streams of the Ganga pouring from the forest of his matted hair, a great garland of serpents hanging at his throat, his damaru sounding "damad damad damad", Shiva danced the fierce Tandava. May that Shiva spread auspiciousness for us all.

ജടാടവീ Jatatavi
the forest of matted hair
ഗലജ്ജലപ്രവാഹ Galajjala Pravaha
streams of flowing water (the Ganga)
പാവിതസ്ഥലേ Pavitasthale
on the ground (his neck) made holy
ഗലേ Gale
on his neck
അവലംബ്യ Avalambya
having hung
ലംബിതാം ഭുജംഗതുംഗമാലികാം Lambitam Bhujangatunga Malikam
a long, great garland of serpents
ഡമഡ്ഡമഡ്ഡമഡ്ഡമന്നിനാദവത് Damad Damad Damad Daman Ninadavat
sounding 'damad damad damad'
ഡമർവയം Damarvayam
this damaru drum
ചകാര ചണ്ഡതാണ്ഡവം Chakara Chanda Tandavam
performed the fierce Tandava
തനോതു നഃ Tanotu Nah
may he spread for us
ശിവഃ ശിവം Shivah Shivam
Shiva, auspiciousness
Shloka 2

ജടാകടാഹസംഭ്രമഭ്രമന്നിലിമ്പനിർഝരീ- Jatakatahasambhrama Bhramannilimpanirjhari

വിലോലവീചിവല്ലരീവിരാജമാനമൂർധനി । Vilolavichivallari Virajamanamurdhani

ധഗദ്ധഗദ്ധഗജ്ജ്വലല്ലലാടപട്ടപാവകേ Dhagad Dhagad Dhagajjvalal Lalata Patta Pavake

കിശോരചന്ദ്രശേഖരേ രതിഃ പ്രതിക്ഷണം മമ ॥ Kishora Chandrashekhare Ratih Pratikshanam Mama

Meaning

His head shines with the restless waves of the celestial Ganga whirling in the cauldron of his matted hair; on his forehead a fire blazes "dhagad dhagad"; he wears the young crescent moon as his crown. May my love for this Shiva grow every moment.

ജടാകടാഹ Jatakataha
the cauldron of his matted hair
സംഭ്രമഭ്രമത് Sambhrama Bhramat
swirling wildly
നിലിമ്പനിർഝരീ Nilimpanirjhari
the celestial river Ganga
വിലോലവീചിവല്ലരീ Vilolavichivallari
rows of restless waves
വിരാജമാനമൂർധനി Virajamanamurdhani
on whose head they shine
ധഗദ്ധഗദ്ധഗജ്ജ്വലത് Dhagad Dhagad Dhagajjvalat
blazing 'dhagad dhagad'
ലലാടപട്ടപാവകേ Lalata Patta Pavake
with fire on the plane of his forehead
കിശോരചന്ദ്രശേഖരേ Kishora Chandrashekhare
in him who wears the young crescent moon
രതിഃ പ്രതിക്ഷണം മമ Ratih Pratikshanam Mama
my love, every moment
Shloka 3

ധരാധരേന്ദ്രനന്ദിനീവിലാസബന്ധുബന്ധുര- Dharadharendra Nandini Vilasa Bandhu Bandhura

സ്ഫുരദ്ദിഗന്തസന്തതിപ്രമോദമാനമാനസേ । Sphurad Diganta Santati Pramodamana Manase

കൃപാകടാക്ഷധോരണീനിരുദ്ധദുർധരാപദി Kripa Kataksha Dhorani Niruddha Durdharapadi

ക്വചിദ്ദിഗംബരേ മനോ വിനോദമേതു വസ്തുനി ॥ Kvachid Digambare Mano Vinodam Etu Vastuni

Meaning

He delights in the playful grace of Parvati, daughter of the mountain king; his mind rejoices in all creation, shining to the ends of the directions; the stream of his merciful glances halts even the hardest misfortunes. May my mind find its joy in that Supreme Reality, Digambara, clothed only by the sky.

ധരാധരേന്ദ്രനന്ദിനീ Dharadharendra Nandini
Parvati, daughter of the mountain king
വിലാസബന്ധുബന്ധുര Vilasa Bandhu Bandhura
delighting in her playful grace
സ്ഫുരദ്ദിഗന്തസന്തതി Sphurad Diganta Santati
all beings shining to the ends of the directions
പ്രമോദമാനമാനസേ Pramodamana Manase
whose mind rejoices
കൃപാകടാക്ഷധോരണീ Kripa Kataksha Dhorani
the stream of his merciful glances
നിരുദ്ധദുർധരാപദി Niruddha Durdharapadi
which stops even the hardest calamities
ക്വചിത് Kvachit
at some time, somewhere
ദിഗംബരേ Digambare
in Digambara, clothed by the directions
മനോ വിനോദം ഏതു Mano Vinodam Etu
may my mind find delight
വസ്തുനി Vastuni
in that Supreme Reality
Shloka 4

ജടാഭുജംഗപിംഗലസ്ഫുരത്ഫണാമണിപ്രഭാ- Jata Bhujanga Pingala Sphurat Phana Mani Prabha

കദംബകുങ്കുമദ്രവപ്രലിപ്തദിഗ്വധൂമുഖേ । Kadamba Kunkuma Drava Pralipta Digvadhu Mukhe

മദാന്ധസിന്ധുരസ്ഫുരത്ത്വഗുത്തരീയമേദുരേ Madandha Sindhura Sphurat Tvag Uttariya Medure

മനോ വിനോദമദ്ഭുതം ബിഭർതു ഭൂതഭർതരി ॥ Mano Vinodam Adbhutam Bibhartu Bhutabhartari

Meaning

The tawny light of the gems on the hoods of the serpents in his hair paints the faces of the directions as if with saffron; he wears the glossy hide of a maddened elephant as his upper cloth. May my mind find a wondrous joy in him, the sustainer of all beings.

ജടാഭുജംഗ Jata Bhujanga
the serpents in his matted hair
പിംഗലസ്ഫുരത്ഫണാമണിപ്രഭാ Pingala Sphurat Phana Mani Prabha
the tawny glow of gems on their shining hoods
കദംബകുങ്കുമദ്രവ Kadamba Kunkuma Drava
like a wash of saffron paste
പ്രലിപ്തദിഗ്വധൂമുഖേ Pralipta Digvadhu Mukhe
painting the faces of the maidens of the directions
മദാന്ധസിന്ധുര Madandha Sindhura
a maddened elephant
സ്ഫുരത്ത്വഗുത്തരീയമേദുരേ Sphurat Tvag Uttariya Medure
wearing its glossy hide as an upper cloth
മനോ വിനോദം അദ്ഭുതം ബിഭർതു Mano Vinodam Adbhutam Bibhartu
may my mind hold a wondrous joy
ഭൂതഭർതരി Bhutabhartari
in the sustainer of all beings
Shloka 5

സഹസ്രലോചനപ്രഭൃത്യശേഷലേഖശേഖര- Sahasra Lochana Prabhrityashesha Lekha Shekhara

പ്രസൂനധൂലിധോരണീവിധൂസരാംഘ്രിപീഠഭൂഃ । Prasuna Dhuli Dhorani Vidhusaranghri Pithabhuh

ഭുജംഗരാജമാലയാ നിബദ്ധജാടജൂടകഃ Bhujangaraja Malaya Nibaddha Jatajutakah

ശ്രിയൈ ചിരായ ജായതാം ചകോരബന്ധുശേഖരഃ ॥ Shriyai Chiraya Jayatam Chakora Bandhu Shekharah

Meaning

His footstool is grey with pollen falling from the flowers in the crowns of Indra and all the gods as they bow; his knot of matted hair is tied with a garland of the king of serpents. May he whose crest is the moon, beloved of the chakora bird, grant us lasting prosperity.

സഹസ്രലോചനപ്രഭൃതി Sahasra Lochana Prabhriti
Indra, the thousand-eyed, and the rest
അശേഷലേഖശേഖര Ashesha Lekha Shekhara
the crowns of all the gods
പ്രസൂനധൂലിധോരണീ Prasuna Dhuli Dhorani
the steady fall of flower pollen
വിധൂസരാംഘ്രിപീഠഭൂഃ Vidhusaranghri Pithabhuh
whose footstool is grey with it
ഭുജംഗരാജമാലയാ Bhujangaraja Malaya
with a garland of the king of serpents
നിബദ്ധജാടജൂടകഃ Nibaddha Jatajutakah
whose knot of matted hair is tied
ശ്രിയൈ ചിരായ ജായതാം Shriyai Chiraya Jayatam
may he be for lasting prosperity
ചകോരബന്ധുശേഖരഃ Chakora Bandhu Shekharah
he whose crest is the moon, friend of the chakora bird
Shloka 6

ലലാടചത്വരജ്വലദ്ധനഞ്ജയസ്ഫുലിംഗഭാ- Lalata Chatvara Jvalad Dhananjaya Sphulingabha

നിപീതപഞ്ചസായകം നമന്നിലിമ്പനായകം । Nipita Panchasayakam Naman Nilimpa Nayakam

സുധാമയൂഖലേഖയാ വിരാജമാനശേഖരം Sudha Mayukha Lekhaya Virajamana Shekharam

മഹാകപാലി സമ്പദേ ശിരോ ജടാലമസ്തു നഃ ॥ Maha Kapali Sampade Shiro Jatalam Astu Nah

Meaning

From the broad plane of his forehead the sparks of a blazing fire swallowed Kamadeva, the god of five arrows; the lord of the gods bows before him; his crest shines with the slender streak of the nectar-rayed moon. May that matted head of the great Kapali bring us true wealth.

ലലാടചത്വര Lalata Chatvara
the broad square of his forehead
ജ്വലദ്ധനഞ്ജയസ്ഫുലിംഗഭാ Jvalad Dhananjaya Sphulingabha
the sparks of the blazing fire
നിപീതപഞ്ചസായകം Nipita Panchasayakam
which swallowed Kamadeva, god of five arrows
നമന്നിലിമ്പനായകം Naman Nilimpa Nayakam
to whom the lord of the gods bows
സുധാമയൂഖലേഖയാ Sudha Mayukha Lekhaya
with the streak of the nectar-rayed moon
വിരാജമാനശേഖരം Virajamana Shekharam
whose crest shines
മഹാകപാലി Maha Kapali
of the great Kapali (Shiva)
സമ്പദേ Sampade
for prosperity
ശിരോ ജടാലം അസ്തു നഃ Shiro Jatalam Astu Nah
may that matted head be for us
Shloka 7

കരാലഭാലപട്ടികാധഗദ്ധഗദ്ധഗജ്ജ്വല- Karala Bhala Pattika Dhagad Dhagad Dhagajjvalad

ദ്ധനഞ്ജയാഹുതീകൃതപ്രചണ്ഡപഞ്ചസായകേ । Dhananjayahuti Krita Prachanda Panchasayake

ധരാധരേന്ദ്രനന്ദിനീകുചാഗ്രചിത്രപത്രക- Dharadharendra Nandini Kuchagra Chitra Patraka

പ്രകല്പനൈകശില്പിനി ത്രിലോചനേ രതിർമമ ॥ Prakalpanaika Shilpini Trilochane Ratir Mama

Meaning

Into the fire blazing "dhagad dhagad" on his fierce forehead he offered mighty Kamadeva as an oblation; and he alone is the artist who paints loving ornamental designs on the bosom of Parvati, the mountain king's daughter. My heart's love is for the three-eyed Lord.

കരാലഭാലപട്ടികാ Karala Bhala Pattika
the fierce plane of his forehead
ധഗദ്ധഗദ്ധഗജ്ജ്വലദ്ധനഞ്ജയ Dhagad Dhagad Dhagajjvalad Dhananjaya
the fire blazing 'dhagad dhagad'
ആഹുതീകൃതപ്രചണ്ഡപഞ്ചസായകേ Ahuti Krita Prachanda Panchasayake
into which he offered the mighty Kamadeva
ധരാധരേന്ദ്രനന്ദിനീ Dharadharendra Nandini
Parvati, the mountain king's daughter
കുചാഗ്രചിത്രപത്രകപ്രകല്പന Kuchagra Chitra Patraka Prakalpana
drawing ornamental leaf-patterns on her bosom
ഏകശില്പിനി Ekashilpini
the one true artist
ത്രിലോചനേ Trilochane
in the three-eyed one
രതിർമമ Ratir Mama
is my love
Shloka 8

നവീനമേഘമണ്ഡലീനിരുദ്ധദുർധരസ്ഫുരത്- Navina Megha Mandali Niruddha Durdhara Sphurat

കുഹൂനിശീഥിനീതമഃപ്രബന്ധബദ്ധകന്ധരഃ । Kuhu Nishithini Tamah Prabandha Baddha Kandharah

നിലിമ്പനിർഝരീധരസ്തനോതു കൃത്തിസിന്ധുരഃ Nilimpa Nirjharidharas Tanotu Kritti Sindhurah

കലാനിധാനബന്ധുരഃ ശ്രിയം ജഗദ്ധുരന്ധരഃ ॥ Kalanidhana Bandhurah Shriyam Jagad Dhurandharah

Meaning

His throat is dark as a new-moon midnight wrapped in dense, fresh rain-clouds; he bears the celestial Ganga, wears the elephant's hide, is lovely with the moon, and carries the burden of the whole world. May that Shiva spread prosperity for us.

നവീനമേഘമണ്ഡലീ Navina Megha Mandali
a mass of fresh rain-clouds
നിരുദ്ധദുർധരസ്ഫുരത് Niruddha Durdhara Sphurat
closing in, dense and deepening
കുഹൂനിശീഥിനീതമഃ Kuhu Nishithini Tamah
the darkness of a new-moon midnight
പ്രബന്ധബദ്ധകന്ധരഃ Prabandha Baddha Kandharah
whose throat is bound with it
നിലിമ്പനിർഝരീധരഃ Nilimpa Nirjharidharah
bearer of the celestial Ganga
തനോതു Tanotu
may he spread
കൃത്തിസിന്ധുരഃ Kritti Sindhurah
who wears the elephant's hide
കലാനിധാനബന്ധുരഃ Kalanidhana Bandhurah
lovely with the moon
ശ്രിയം Shriyam
prosperity
ജഗദ്ധുരന്ധരഃ Jagad Dhurandharah
who bears the burden of the world
Shloka 9

പ്രഫുല്ലനീലപങ്കജപ്രപഞ്ചകാലിമപ്രഭാ- Praphulla Nila Pankaja Prapancha Kalima Prabha

വലംബികണ്ഠകന്ദലീരുചിപ്രബദ്ധകന്ധരം । Valambi Kantha Kandali Ruchi Prabaddha Kandharam

സ്മരച്ഛിദം പുരച്ഛിദം ഭവച്ഛിദം മഖച്ഛിദം Smarachchhidam Purachchhidam Bhavachchhidam Makhachchhidam

ഗജച്ഛിദാന്ധകച്ഛിദം തമന്തകച്ഛിദം ഭജേ ॥ Gajachchhidandhakachchhidam Tam Antakachchhidam Bhaje

Meaning

His throat glows with the deep blue sheen of fully bloomed blue lotuses. I worship him who destroyed Kama and the three demon cities, who cuts the bonds of worldly life, who ended Daksha's sacrifice, who slew the elephant demon and Andhaka, and who conquered even Yama, death himself.

പ്രഫുല്ലനീലപങ്കജ Praphulla Nila Pankaja
fully bloomed blue lotuses
പ്രപഞ്ചകാലിമപ്രഭാവലംബി Prapancha Kalima Prabhavalambi
bearing their spreading dark glow
കണ്ഠകന്ദലീരുചിപ്രബദ്ധകന്ധരം Kantha Kandali Ruchi Prabaddha Kandharam
whose throat is bound in that lovely dark sheen
സ്മരച്ഛിദം Smarachchhidam
destroyer of Kama
പുരച്ഛിദം Purachchhidam
destroyer of the three cities (Tripura)
ഭവച്ഛിദം Bhavachchhidam
who cuts the bonds of worldly life
മഖച്ഛിദം Makhachchhidam
who ended Daksha's sacrifice
ഗജച്ഛിദ് Gajachchhid
slayer of the elephant demon
അന്ധകച്ഛിദം Andhakachchhidam
slayer of the demon Andhaka
തം അന്തകച്ഛിദം ഭജേ Tam Antakachchhidam Bhaje
I worship him who subdued Yama, death itself
Shloka 10

അഖർവസർവമംഗലാകലാകദംബമഞ്ജരീ- Akharva Sarva Mangala Kala Kadamba Manjari

രസപ്രവാഹമാധുരീവിജൃംഭണാമധുവ്രതം । Rasa Pravaha Madhuri Vijrimbhana Madhuvratam

സ്മരാന്തകം പുരാന്തകം ഭവാന്തകം മഖാന്തകം Smarantakam Purantakam Bhavantakam Makhantakam

ഗജാന്തകാന്ധകാന്തകം തമന്തകാന്തകം ഭജേ ॥ Gajantakandhakantakam Tam Antakantakam Bhaje

Meaning

He is the bee who revels in the sweet, flowing nectar of the boundless cluster of graces of Parvati, the all-auspicious. I worship him who ended Kama, Tripura, worldly bondage and Daksha's sacrifice, who ended Gajasura and Andhaka, and who is the ender of Death itself.

അഖർവ Akharva
boundless, never small
സർവമംഗലാ Sarva Mangala
Parvati, the all-auspicious
കലാകദംബമഞ്ജരീ Kala Kadamba Manjari
the blossoming cluster of her arts and graces
രസപ്രവാഹമാധുരീ Rasa Pravaha Madhuri
the sweetness of its flowing nectar
വിജൃംഭണാമധുവ്രതം Vijrimbhana Madhuvratam
the bee who revels in it
സ്മരാന്തകം പുരാന്തകം Smarantakam Purantakam
ender of Kama, ender of Tripura
ഭവാന്തകം മഖാന്തകം Bhavantakam Makhantakam
ender of worldly bondage, ender of Daksha's sacrifice
ഗജാന്തകാന്ധകാന്തകം Gajantakandhakantakam
ender of Gajasura and Andhaka
തം അന്തകാന്തകം ഭജേ Tam Antakantakam Bhaje
I worship him, the ender of Death
Shloka 11

ജയത്വദഭ്രവിഭ്രമഭ്രമദ്ഭുജംഗമശ്വസ- Jayatvadabhra Vibhrama Bhramad Bhujangamashvasad

ദ്വിനിർഗമത്ക്രമസ്ഫുരത്കരാലഭാലഹവ്യവാട് । Vinirgamat Krama Sphurat Karala Bhala Havyavat

ധിമിദ്ധിമിദ്ധിമിദ്ധ്വനന്മൃദംഗതുംഗമംഗല- Dhimid Dhimid Dhimid Dhvanan Mridanga Tunga Mangala

ധ്വനിക്രമപ്രവർതിതപ്രചണ്ഡതാണ്ഡവഃ ശിവഃ ॥ Dhvani Krama Pravartita Prachanda Tandavah Shivah

Meaning

Victory to Shiva! As the serpents whirl in wide, swift circles about him, their hissing breath fans the fire on his fierce forehead higher and higher; and to the lofty, auspicious rhythm of the mridanga sounding "dhimid dhimid dhimid", he dances the fierce Tandava.

ജയതു Jayatu
victory to
അദഭ്രവിഭ്രമഭ്രമത് Adabhra Vibhrama Bhramat
whirling in wide, swift circles
ഭുജംഗമശ്വസദ്വിനിർഗമത് Bhujangama Shvasad Vinirgamat
the hissing breath of the serpents
ക്രമസ്ഫുരത്കരാലഭാലഹവ്യവാട് Krama Sphurat Karala Bhala Havyavat
the fire on his fierce forehead flaring up by turns
ധിമിദ്ധിമിദ്ധിമിദ്ധ്വനത് Dhimid Dhimid Dhimid Dhvanat
sounding 'dhimid dhimid dhimid'
മൃദംഗതുംഗമംഗലധ്വനിക്രമ Mridanga Tunga Mangala Dhvani Krama
the lofty, auspicious rhythm of the mridanga
പ്രവർതിതപ്രചണ്ഡതാണ്ഡവഃ Pravartita Prachanda Tandavah
who performs the fierce Tandava to it
ശിവഃ Shivah
Shiva
Shloka 12

ദൃഷദ്വിചിത്രതല്പയോർഭുജംഗമൌക്തികസ്രജോർ- Drishad Vichitra Talpayor Bhujanga Mauktika Srajor

ഗരിഷ്ഠരത്നലോഷ്ഠയോഃ സുഹൃദ്വിപക്ഷപക്ഷയോഃ । Garishtha Ratna Loshthayoh Suhrid Vipaksha Pakshayoh

തൃണാരവിന്ദചക്ഷുഷോഃ പ്രജാമഹീമഹേന്ദ്രയോഃ Trinaravinda Chakshushoh Praja Mahi Mahendrayoh

സമപ്രവൃത്തികഃ കദാ സദാശിവം ഭജാമ്യഹം ॥ Sama Pravrittikah Kada Sadashivam Bhajamyaham

Meaning

A rock or a fine bed, a snake or a string of pearls, a precious gem or a lump of clay, friend or foe, a blade of grass or a lotus-eyed beauty, a common subject or an emperor: when will I look on all of these with an even mind and simply worship Sadashiva?

ദൃഷദ്വിചിത്രതല്പയോഃ Drishad Vichitra Talpayoh
towards a rock and a richly made bed
ഭുജംഗമൌക്തികസ്രജോഃ Bhujanga Mauktika Srajoh
a snake and a pearl necklace
ഗരിഷ്ഠരത്നലോഷ്ഠയോഃ Garishtha Ratna Loshthayoh
a precious gem and a lump of clay
സുഹൃദ്വിപക്ഷപക്ഷയോഃ Suhrid Vipaksha Pakshayoh
friend and foe
തൃണാരവിന്ദചക്ഷുഷോഃ Trinaravinda Chakshushoh
a blade of grass and a lotus-eyed beauty
പ്രജാമഹീമഹേന്ദ്രയോഃ Praja Mahi Mahendrayoh
a common subject and an emperor
സമപ്രവൃത്തികഃ Sama Pravrittikah
with an even mind
കദാ സദാശിവം ഭജാമ്യഹം Kada Sadashivam Bhajamyaham
when shall I worship Sadashiva?

Many recordings sing the last line as "समं प्रवर्तयन्मनः कदा सदाशिवं भजे" (samam pravartayan manah kada sadashivam bhaje). We print "समप्रवृत्तिकः कदा सदाशिवं भजाम्यहम्". The meaning is the same: when will I, with an even mind, worship Sadashiva?

Shloka 13

കദാ നിലിമ്പനിർഝരീനികുഞ്ജകോടരേ വസൻ Kada Nilimpa Nirjhari Nikunja Kotare Vasan

വിമുക്തദുർമതിഃ സദാ ശിരഃസ്ഥമഞ്ജലിം വഹൻ । Vimukta Durmatih Sada Shirahstham Anjalim Vahan

വിലോലലോലലോചനോ ലലാമഭാലലഗ്നകഃ Vilola Lola Lochano Lalama Bhala Lagnakah

ശിവേതി മന്ത്രമുച്ചരൻ കദാ സുഖീ ഭവാമ്യഹം ॥ Shiveti Mantram Uchcharan Kada Sukhi Bhavamyaham

Meaning

When will I live in a hollow among the groves beside the celestial Ganga, free of wrong thoughts, my palms always joined above my head, my eyes moist and restless with longing, my mind fixed on the Lord whose forehead bears the crescent, chanting the mantra "Shiva"? When will I be truly happy?

കദാ Kada
when
നിലിമ്പനിർഝരീനികുഞ്ജകോടരേ Nilimpa Nirjhari Nikunja Kotare
in a hollow of the groves by the celestial Ganga
വസൻ Vasan
living
വിമുക്തദുർമതിഃ Vimukta Durmatih
freed from wrong thoughts
സദാ ശിരഃസ്ഥം അഞ്ജലിം വഹൻ Sada Shirahstham Anjalim Vahan
always holding joined palms above my head
വിലോലലോലലോചനഃ Vilola Lola Lochanah
with eyes moist and moving (in devotion)
ലലാമഭാലലഗ്നകഃ Lalama Bhala Lagnakah
fixed on him of the adorned forehead
ശിവേതി മന്ത്രം ഉച്ചരൻ Shiveti Mantram Uchcharan
chanting the mantra 'Shiva'
കദാ സുഖീ ഭവാമ്യഹം Kada Sukhi Bhavamyaham
when shall I be truly happy?
Shloka 14

നിലിമ്പനാഥനാഗരീകദംബമൌലമല്ലികാ- Nilimpa Natha Nagari Kadamba Maula Mallika

നിഗുമ്ഫനിർഭരക്ഷരന്മധൂഷ്ണികാമനോഹരഃ । Nigumpha Nirbhara Ksharan Madhushnika Manoharah

തനോതു നോ മനോമുദം വിനോദിനീമഹർനിശം Tanotu No Mano Mudam Vinodinim Aharnisham

പരശ്രിയഃ പരം പദം തദംഗജത്വിഷാം ചയഃ ॥ Parashriyah Param Padam Tad Angaja Tvisham Chayah

Meaning

Made lovelier by the sweet fragrance dripping from the jasmine garlands woven into the hair of the celestial women of Indra's city, the radiance that streams from Shiva's limbs is the supreme home of all glory. May it fill our minds with delight, day and night.

നിലിമ്പനാഥനാഗരീകദംബ Nilimpa Natha Nagari Kadamba
the many celestial women of Indra's city
മൌലമല്ലികാനിഗുമ്ഫ Maula Mallika Nigumpha
jasmine garlands woven in their hair
നിർഭരക്ഷരന്മധൂഷ്ണികാ Nirbhara Ksharan Madhushnika
richly dripping honey-sweet fragrance
മനോഹരഃ Manoharah
enchanting
തനോതു നോ മനോമുദം Tanotu No Mano Mudam
may it spread joy in our minds
വിനോദിനീം അഹർനിശം Vinodinim Aharnisham
delightful, day and night
പരശ്രിയഃ പരം പദം Parashriyah Param Padam
the supreme abode of the highest glory
തദംഗജത്വിഷാം ചയഃ Tad Angaja Tvisham Chayah
the mass of radiance from his limbs

Shlokas 14 and 15 appear in the common Sanskrit edition but are left out of many popular recordings.

Shloka 15

പ്രചണ്ഡവാഡവാനലപ്രഭാശുഭപ്രചാരണീ Prachanda Vadavanala Prabha Shubha Pracharani

മഹാഷ്ടസിദ്ധികാമിനീജനാഽവഹൂതജല്പനാ । Mahashta Siddhi Kamini Janavahuta Jalpana

വിമുക്തവാമലോചനാവിവാഹകാലികധ്വനിഃ Vimukta Vama Lochana Vivaha Kalika Dhvanih

ശിവേതി മന്ത്രഭൂഷണാ ജഗജ്ജയായ ജായതാം ॥ Shiveti Mantra Bhushana Jagaj Jayaya Jayatam

Meaning

May the sound heard at the wedding of Shiva and the lovely-eyed Parvati, echoed by the calls of the maidens who are the eight great siddhis, bright as the fierce fire beneath the ocean and spreading auspiciousness, and adorned by the mantra "Shiva", bring victory to the whole world.

പ്രചണ്ഡവാഡവാനലപ്രഭാ Prachanda Vadavanala Prabha
bright as the fierce fire beneath the ocean
ശുഭപ്രചാരണീ Shubha Pracharani
spreading auspiciousness
മഹാഷ്ടസിദ്ധികാമിനീജന Mahashta Siddhi Kamini Jana
the maidens who are the eight great siddhis
അവഹൂതജല്പനാ Avahuta Jalpana
echoed by their calls
വിമുക്തവാമലോചനാ Vimukta Vama Lochana
the lovely-eyed bride (Parvati)
വിവാഹകാലികധ്വനിഃ Vivaha Kalika Dhvanih
the sound heard at the hour of the wedding
ശിവേതി മന്ത്രഭൂഷണാ Shiveti Mantra Bhushana
adorned by the mantra 'Shiva'
ജഗജ്ജയായ ജായതാം Jagaj Jayaya Jayatam
may it bring victory to the world

This is the hardest verse to render; commentators divide its long compounds in different ways, and the meaning given here is one traditional reading.

Phalashruti 1 (shloka 16)

ഇമം ഹി നിത്യമേവമുക്തമുത്തമോത്തമം സ്തവം Imam Hi Nityam Evam Uktam Uttamottamam Stavam

പഠന്സ്മരന്ബ്രുവന്നരോ വിശുദ്ധിമേതി സന്തതം । Pathan Smaran Bruvan Naro Vishuddhim Eti Santatam

ഹരേ ഗുരൌ സുഭക്തിമാശു യാതി നാന്യഥാ ഗതിം Hare Gurau Subhaktim Ashu Yati Nanyatha Gatim

വിമോഹനം ഹി ദേഹിനാം സുശങ്കരസ്യ ചിന്തനം ॥ Vimohanam Hi Dehinam Sushankarasya Chintanam

Meaning

Whoever daily reads, remembers or recites this most excellent hymn, just as it has been told, is ever purified and soon gains deep devotion to Hara, the true Guru; there is no other way. For meditation on the gracious Shankara, tradition holds, dispels the delusion of all embodied beings.

ഇമം ഹി Imam Hi
this indeed
നിത്യം Nityam
daily
ഏവം ഉക്തം Evam Uktam
as it has been told
ഉത്തമോത്തമം സ്തവം Uttamottamam Stavam
this most excellent hymn
പഠന്സ്മരന്ബ്രുവൻ Pathan Smaran Bruvan
reading, remembering or reciting
നരഃ Narah
a person
വിശുദ്ധിം ഏതി സന്തതം Vishuddhim Eti Santatam
is ever purified
ഹരേ ഗുരൌ സുഭക്തിം Hare Gurau Subhaktim
deep devotion to Hara, the Guru
ആശു യാതി Ashu Yati
quickly attains
നാന്യഥാ ഗതിം Nanyatha Gatim
there is no other path
വിമോഹനം ഹി ദേഹിനാം Vimohanam Hi Dehinam
removes the delusion of embodied beings
സുശങ്കരസ്യ ചിന്തനം Sushankarasya Chintanam
meditation on the gracious Shankara

Shlokas 16 and 17 are the phalashruti, verses describing the fruit of reciting the hymn.

Phalashruti 2 (shloka 17)

പൂജാവസാനസമയേ ദശവക്ത്രഗീതം Pujavasana Samaye Dashavaktra Gitam

യഃ ശംഭുപൂജനപരം പഠതി പ്രദോഷേ । Yah Shambhu Pujana Param Pathati Pradoshe

തസ്യ സ്ഥിരാം രഥഗജേന്ദ്രതുരംഗയുക്താം Tasya Sthiram Ratha Gajendra Turanga Yuktam

ലക്ഷ്മീം സദൈവ സുമുഖീം പ്രദദാതി ശംഭുഃ ॥ Lakshmim Sadaiva Sumukhim Pradadati Shambhuh

Meaning

Whoever, at the close of worship on the evening of Pradosha, recites this hymn sung by the ten-headed Ravana in praise of Shambhu, is granted by Shambhu, tradition holds, a steady and ever-gracious prosperity, rich with chariots, fine elephants and horses.

പൂജാവസാനസമയേ Pujavasana Samaye
at the close of worship
ദശവക്ത്രഗീതം Dashavaktra Gitam
sung by the ten-headed Ravana
യഃ Yah
whoever
ശംഭുപൂജനപരം Shambhu Pujana Param
devoted to the worship of Shambhu
പഠതി പ്രദോഷേ Pathati Pradoshe
recites at Pradosha
തസ്യ Tasya
to him
സ്ഥിരാം Sthiram
steady, lasting
രഥഗജേന്ദ്രതുരംഗയുക്താം Ratha Gajendra Turanga Yuktam
with chariots, fine elephants and horses
ലക്ഷ്മീം Lakshmim
prosperity (Lakshmi)
സദൈവ സുമുഖീം Sadaiva Sumukhim
ever gracious
പ്രദദാതി ശംഭുഃ Pradadati Shambhuh
Shambhu bestows

About Shiva Tandava Stotram

Popular tradition tells that Ravana, proud of his strength, tried to lift Mount Kailasa. Shiva pressed the mountain down with a single toe, pinning him beneath it, and Ravana, in pain and then in devotion, poured out this hymn. Pleased, Shiva released him and, the story goes, gave him the name Ravana, "the one who roared". Whatever its origin, the hymn is loved for its sound: it is written in the panchachamara metre, sixteen syllables a line with short and long syllables alternating, so that words like "damad damad damad" and "dhimid dhimid" beat like a drum.

Open in the reader

Questions

Is this the same Shiva Tandava Stotram that is sung in Hindi?

Yes. These are the same Sanskrit words, written in Malayalam letters so you can read them aloud. It is a transliteration, not a translation into Malayalam. The meaning of each verse is given in English.

How was the Malayalam text prepared?

We keep one checked Devanagari edition (Shiva Tandava Stotram (15 shlokas + 2 phalashruti) as attributed to Ravana; text collated from sanskritdocuments.org (shivtAND), sa.wikisource.org (शिवताण्डवस्तोत्रम्) and stotranidhi.com (Devanagari edition)) and write it in Malayalam letters with fixed spelling rules, so every verse matches the original letter for letter. The English-letter line is the common singing spelling.

Source: Shiva Tandava Stotram (15 shlokas + 2 phalashruti) as attributed to Ravana; text collated from sanskritdocuments.org (shivtAND), sa.wikisource.org (शिवताण्डवस्तोत्रम्) and stotranidhi.com (Devanagari edition)

The Malayalam lettering is generated from our Devanagari edition. If any letter looks wrong to you, please tell us.

The meanings are our own first draft. A scholar has not reviewed them yet. If you spot a mistake, please tell us.

Report a mistake in this page