स्रोत और शुद्धता
पवित्र पाठ शुद्ध होना चाहिए। यह पन्ना बताता है कि हमारे पाठ कहाँ से आते हैं, हम उन्हें कैसे जाँचते हैं, और अभी क्या प्रारंभिक रूप में है।
हम हर पाठ की जाँच कैसे करते हैं
- नामित स्रोत। हर पाठ किसी नामित स्रोत से लिया गया है, जिसकी सूची नीचे है: जहाँ मिली वहाँ गीता प्रेस जैसी छपी प्रति, विकिस्रोत का स्कैन, या sanskritdocuments.org जैसी जानी-मानी साइट।
- दो-चरणों की लिपि-जाँच। फिर देवनागरी पाठ को कम से कम दो विश्वसनीय सार्वजनिक स्रोतों से पंक्ति-दर-पंक्ति मिलाया जाता है, तभी उसे 'लिपि सत्यापित' कहा जाता है।
- एक स्रोत, हर लिपि। तेलुगु, तमिल और अन्य लिपियाँ जाँचे हुए देवनागरी पाठ से अपने-आप बनती हैं, इसलिए एक बार किया गया सुधार हर जगह लागू हो जाता है।
- अर्थ पर ईमानदार लेबल। हमारे अर्थ इस साइट के लिए AI की सहायता से लिखे गए हैं, और जब तक कोई विद्वान उनकी समीक्षा न कर ले, हर पन्ने पर उन्हें ड्राफ़्ट बताया जाता है।
लेबल का अर्थ
- मसौदा
- मसौदा: पाठ दर्ज है, जाँच पूरी नहीं हुई।
- लिपि सत्यापित
- अर्थ अभी मसौदा हैं।
- समीक्षित
- समीक्षित: किसी विद्वान ने पाठ और अर्थ, दोनों की जाँच की है।
हम किन संस्करणों का पालन करते हैं
हर पाठ किन स्रोतों पर आधारित है। अब तक 31 पाठ।
| पाठ | संस्करण | स्थिति |
|---|---|---|
| आरती कुंजबिहारी की | Traditional Braj/Hindi aarti as printed in popular aarti-sangrah booklets; text cross-checked against BhaktiBharat.com, Drik Panchang (Hindi) and two further lyric collections (chantchalisa.com, hindibhajanlyrics.co.in)Two lines differ between sources. Stanza 3: most sources and common singing read 'सकल मन हारिणि श्री गंगा'; Drik Panchang reads 'कलुष कलि हारिणि श्रीगंगा' (remover of the sins of Kali Yuga), and some singers say 'सकल मल हारिणि'. Stanza 4: most read 'टेर सुन दीन दुखारी की'; Drik Panchang reads 'दीन भिखारी की'. We follow the majority. Line breaks within stanzas follow the sung phrasing; the refrain is repeated after each stanza. | लिपि सत्यापित |
| अच्युताष्टकम् | Achyutashtakam of Adi Shankaracharya as given by Sringeri Sharada Peetham (sringeri.net, Vishnu stotras) and stotranidhi.com (Prabhata Stotranidhi, Devanagari); cross-checked against sanskritdocuments.org (achyuta8) and sa.wikisource.org (अच्युताष्टकम्)We follow the Sringeri Sharada Peetham reading, which stotranidhi matches word for word. sanskritdocuments.org and wikisource differ in four places: 2 नन्दनं for नन्दजं; 5 दण्डकारण्यभूपुण्यताकारणः for ...कारणम्; 6 धेनुकारिष्टकोऽनिष्टकृद् for धेनुकारिष्टहाऽनिष्टकृद्; 9 कर्तृ विश्वम्भरं/विश्वम्भरः for वेद्यविश्वम्भरं. Meanings are Nitya's own. | लिपि सत्यापित |
| अहोई अष्टमी व्रत कथा | Nitya's retelling of the traditional story (Hindi, 2026), written for this site; not a transcription of any printed editionNitya's retelling of the traditional story. The Ahoi Ashtami katha has no single canonical wording. Our retelling follows the elements common to the most widely told version: a merchant's wife with seven sons; digging clay near a mound before Diwali; accidentally killing a sehi (porcupine) cub with her hoe; losing her sons within a year; confessing to the elder women, who say owning the mistake has removed half the sin and advise the Ahoi Ashtami fast with a drawing of the sehi and her cubs; and Ahoi Mata restoring her sons (told either as revival or as the blessing of seven sons again). A second widely told version, with seven daughters-in-law, a sister-in-law and the cow Surahi, is not included. The Hindi is our own wording, not copied from any book or website. Meanings are retellings of each paragraph; the Hindi meaning is a one-line gist. | मसौदा |
| श्री बजरंग बाण | Shri Bajrang Baan, standard printed text as given on hindi.webdunia.com and sritrimurtidham.org (both agree line for line), compared with sanskritdocuments.org (doc_z_otherlang_hindi/bajarangabaaNHindi) and hanumanbalajimandir.orgVersions differ considerably. Some add lines not in our text (e.g. 'गदा बज्र लै बैरिहिं मारो…', 'ॐकार हुंकार महाप्रभु धावो…', and a long passage beginning 'ताते विनती करौं पुकारी'), or order the middle chaupais differently. We print ह्रीं for the bija syllable that some printings show as ह्नीं/हीं. We could not consult a Gita Press printing of this text directly; a scholar should confirm against one. | लिपि सत्यापित |
| श्री दुर्गा चालीसा | Traditional Hindi text as printed in popular chalisa and aarti-sangrah booklets; cross-checked line by line against sanskritdocuments.org (doc_z_otherlang_hindi/durga40, both versions on that page), BhaktiBharat.com, Bharat Discovery (bharatdiscovery.org) and ShubhPanchang.comOur base text follows the first sanskritdocuments.org version, which matches BhaktiBharat word for word. We depart from it in two places, following the 'mool paath' on sanskritdocuments.org, Bharat Discovery and ShubhPanchang: 'नमो नमो अम्बे दुःख हरनी' (base repeats 'दुर्गे', ch. 1) and 'हिरणाकुश' (base 'हिरण्याक्ष', which does not fit the Narasimha story, ch. 11). Other variants: 'लय/लै कीना' (ch. 5), 'परगट/प्रगट' (ch. 10), 'नगरकोट/नगर कोटि/नाग कोटि' (ch. 20), 'ज्वाला/ताही में' (ch. 26), 'मोह मदादिक सब बिनशावें' vs 'रिपु मूरख मोहि अति डरपावे' (ch. 36), 'श्री दुर्गा चालीसा जो कोई गावै' vs 'जो नित/जो जन गावै' (ch. 40). The closing doha appears in BhaktiBharat and ShubhPanchang but not in the two other sources. Spelling of तिहुँ लोक normalised with a space. We have not yet compared against a Gita Press printing. | लिपि सत्यापित |
| गायत्री मंत्र | Rig Veda Samhita, Mandala 3, Sukta 62, Mantra 10The opening 'Om Bhur Bhuvah Svah' (the vyahritis) is added in traditional japa. | लिपि सत्यापित |
| श्री हनुमान जी की आरती | Shri Hanumanji ki Aarti, Gita Press Gorakhpur reading (appendix to Gita Press's Shri Ramcharitmanas; scanned copy on archive.org), cross-checked with bhaktibharat.com and hindi.webdunia.comWe group the couplets after the refrain in pairs, as the aarti is commonly sung, with the refrain repeated after each; the last verse is a single couplet. Gita Press readings kept: 'jhanpai' (popular 'jhanke'), 'Siya' as सीय, 'Sajivan'. Word spacing is normalised (e.g. सियारामजी के). The popular closing couplet 'लंक विध्वंस किये रघुराई…' is not in the Gita Press text and is given in a note. | लिपि सत्यापित |
| श्री हनुमान चालीसा | Shri Hanuman Chalisa, Gita Press Gorakhpur reading (as printed in the appendix to Gita Press's Shri Ramcharitmanas; scanned copy on archive.org), cross-checked line by line with sanskritdocuments.org (doc_z_otherlang_hindi/chaalisa) and vignanam.orgWe follow the Gita Press text wherever editions differ: 'Sankar suvan' (not 'Shankar swayam', ch. 6), 'samharo' (not 'sanharo', ch. 23), 'Sankat ten' (not 'Sankat se', ch. 26), 'koi … soi' (ch. 28), 'Hanuman chalisa' in its metrical form चलीसा (ch. 39) and 'hriday mahan' (हृदय महँ, not 'मँह', ch. 40). Obvious OCR slips in the scan were corrected against the other sources. The Gita Press scan shows 'लषन' in two places, an older spelling of 'लखन'; we print 'लखन' throughout. | लिपि सत्यापित |
| जय अम्बे गौरी | Traditional Hindi aarti (signature: Shivanand Swami) as printed in popular aarti-sangrah booklets; text cross-checked against Drik Panchang (Hindi) and BhaktiBharat.comBoth sources agree on all twelve stanzas and their order. Minor spelling choices: 'निशदिन' (BhaktiBharat) over 'निशिदिन' (Drik Panchang); 'भैरों' over 'भैरूँ'; 'उज्ज्वल' (correct spelling) over the printed 'उज्जवल'. Many singers prefix the refrain with 'ॐ'. In stanza 10, some books read 'खड्ग खप्पर धारी' in place of 'वर-मुद्रा धारी'. This is a different aarti from 'Ambe Tu Hai Jagdambe Kali'. | लिपि सत्यापित |
| जय गणेश देवा | Traditional Hindi aarti as given by drikpanchang.com "Shri Ganesh Ji Ki Aarti", cross-checked with prabhatkhabar.com (Anuradha Paudwal version) and bhaktilok.inStanza order and wording follow the widely sung Anuradha Paudwal recording as transcribed by prabhatkhabar.com; drikpanchang lists the same stanzas and gives "माथे पर तिलक सोहे", "हार चढ़े", "अँधे को" and "शम्भु सुतवारी … जग बलिहारी" as alternatives (see stanza notes). bhaktilok.in omits the "Sur Shyam" stanza. Quotation marks around "सूर" in some prints are omitted here. | लिपि सत्यापित |
| जय पार्वती माता | Traditional Hindi aarti as printed in popular aarti-sangrah booklets; cross-checked line by line against BhaktiBharat.com, Drik Panchang (Hindi) and Bharat Discovery (bharatdiscovery.org)All three sources have the refrain and seven stanzas in the same order. We follow BhaktiBharat for the stanza text, with the spellings and readings that Drik Panchang and Bharat Discovery share: 'ब्रह्म सनातन देवी' (BhaktiBharat 'ब्रह्मा'), 'नाशिनि' (BhaktiBharat 'नासनि'), 'जय सेवक त्राता' (BhaktiBharat 'निज सेवक त्राता'), 'वाहन' (BhaktiBharat 'वहान'), 'हेमांचल', 'सखियन संग राता' (BhaktiBharat 'सखियाँ संगराता'), 'सहस्र'. Drik Panchang has a different sixth stanza and closing stanza (noted on those verses). Bharat Discovery's refrain reads 'मैया जय गौरा माता' and drops 'नन्दी' in stanza 5. Many singers repeat the refrain at the very end. We have not compared against a Gita Press printing. | लिपि सत्यापित |
| कनकधारा स्तोत्रम् | Kanakadhara Stotram, sanskritdocuments.org kanaka.itx (encoded and proofread by P. P. Narayanaswami and Kirk Wortman; verse order as in the Complete Works of Shankaracharya, vol. 18, p. 70); cross-checked line by line with "Prabhata Stotranidhi" (stotranidhi.com, Devanagari)18 verses, the count and order shared by both sources, plus the phala verse "सुवर्णधारास्तोत्रं यच्छङ्कराचार्यनिर्मितम्" that many books print after verse 18. Left out: the opening Ganesha verse "वन्दे वन्दारुमन्दारम्" (sanskritdocuments only) and the extra verses that both sources mark as additions ("नमोऽस्तु हेमाम्बुजपीठिकायै", "नमोऽस्तु देव्यै भृगुनन्दनायै", "नमोऽस्तु कान्त्यै कमलेक्षणायै", "देवि प्रसीद जगदीश्वरि", "बिल्वाटवीमध्यलसत्सरोजे", "कमलासनपाणिना ललाटे", "अम्भोरुहं जन्मगृहं भवत्याः"). Readings where the sources differ: v1 "माङ्गल्यदास्तु" (stotranidhi; sanskritdocuments "माङ्गल्यदाऽस्तु", same sound); v2 "माला दृशोः" spaced (stotranidhi joins it); v3 "ईक्षणार्धम्" (sanskritdocuments; stotranidhi "ईक्षणार्थम्"); v6 "तडिदङ्गनेव" (sanskritdocuments; stotranidhi "तटिदङ्गनेव"); v8 "अस्मिन्नकिञ्चनविहङ्गशिशौ" (sanskritdocuments; stotranidhi divides "अस्मिन्न किञ्चन"); v16 "दिग्घस्तिभिः" (stotranidhi; sanskritdocuments "दिग् हस्तिभिः"); v18 "अमूभिः" (stotranidhi; sanskritdocuments "अमीभिः") and "भाग्यभागिनो" (sanskritdocuments; stotranidhi "भाग्यभाजिनो"). Where a compound runs across a line, stotranidhi uses hyphens with sandhi ("दक्ष- / -मानन्द"); we follow sanskritdocuments and write the words in full at the line break ("दक्षम् / आनन्द"), keeping a hyphen only inside a compound (v9, v16). Variants noted by sanskritdocuments: "गरुडध्वजभामिनीति" (v10), "सरोरुहाणि" (v13), "दुरितोत्तरणोद्यतानि" / "दुरितोद्धरणोद्यतानि" (v13). The attribution to Adi Shankaracharya is traditional. | लिपि सत्यापित |
| करवा चौथ व्रत कथा | Nitya's retelling of the traditional story (Hindi, 2026), written for this site; not a transcription of any printed editionNitya's retelling of the traditional story. There is no single canonical wording of the Karwa Chauth katha; it is told in many family and booklet versions. Our retelling follows the elements common to the most widely told version: the merchant's daughter Veeravati and her seven brothers; her first Karwa Chauth fast at her parents' home; the youngest brother's false moon (a lamp behind a sieve on a peepal tree; some tell it as a fire behind a hill); the three omens at the meal (a hair, a sneeze, the news); Indrani's explanation (many families tell it with Parvati or Karva Mata); a year of monthly Chauth fasts beside her husband's body; and his return to life on the next Karwa Chauth. Some versions end with the youngest sister-in-law restoring him; we have not used that ending. Part two follows the common story of Karva, the crocodile bound with raw cotton thread, and Yama. The Hindi is our own wording, not copied from any book or website. Meanings are retellings of each paragraph; the Hindi meaning is a one-line gist. | मसौदा |
| कुबेर मंत्र | Mantra 1: drikpanchang.com (Shri Kubera mantra, Hindi), cross-checked with shlokam.org (Kubera Mantra) and shubhpanchang.com (Kubera panchatrimsha mantra). Mantra 2: Taittiriya Aranyaka, as printed in sanskritdocuments.org mantrapushpa.itx (with and without svaras) and "Prabhata Stotranidhi" (stotranidhi.com, Mantrapushpam). Mantra 3: first of the 108 names of Kuber on drikpanchang.comMantra 1 is identical word for word in all three sources. Mantra 2 is identical in both sources once svara marks are removed; stotranidhi.com prefixes "ओं", which we leave out as it is not part of the Aranyaka text, and we omit accents. For mantra 3, shubhpanchang.com gives "ॐ श्रीकुबेराय नमः". Several "Kuber Gayatri" and bija forms circulate with differing wording and no source we could confirm, so we have not included them. | लिपि सत्यापित |
| श्री लक्ष्मी चालीसा | Shri Lakshmi Chalisa as printed in popular aarti-chalisa booklets; text compared line by line across BhaktiBharat.com, AstroSage, Shubh Panchang (shubhpanchang.com), sanskritdocuments.org (laxmi40.itx) and Bharatkosh (bharatdiscovery.org). No Gita Press printing was available to us.Online editions fall into two families. BhaktiBharat, AstroSage and Shubh Panchang have the sortha and 39 chaupais; sanskritdocuments.org and Bharatkosh (whose texts match each other closely) add an extra opening couplet ("सिंधु सुता विष्णुप्रिये नत शिर बारंबार", left out here) and a 40th chaupai with the poet's name ("रामदास अब कहै पुकारी", included as chaupai 40; Bharatkosh reads "कहाई"). Each line follows the reading of the majority of sources; variants are noted under ch. 3, 11, 16, 20, 22, 32, 36 and the closing doha. Obvious slips corrected: "परुवहु" to "पुरवहु" (doha 1), "कष्ट नोई" to "कष्ट न होई" (ch. 20), "चितववो" to "चितवो" (ch. 8), "दजै" to "दीजै" (ch. 35). Order of ch. 36 to 39 follows BhaktiBharat and sanskritdocuments.org (Shubh Panchang places "केहि प्रकार" earlier). A scholar should compare this with a printed booklet. | लिपि सत्यापित |
| लिङ्गाष्टकम् | Lingashtakam as printed in "Prabhata Stotranidhi" (stotranidhi.com, Devanagari); cross-checked line by line with sanskritdocuments.org lingashh.itx (encoded and proofread by Srinivas Sunder, updated 2022)We follow stotranidhi.com, which matches how the hymn is sung (four half-lines per verse). Variants in sanskritdocuments.org: "सदाशिवलिङ्गम्" as one compound (same sound); "सर्वसुगन्धिसुलेपित" for "सर्वसुगन्धसुलेपित" (v3); "निर्मलभाषित" noted as a variant of "निर्मलभासित" (v1); "अष्टदरिद्रविनाशित" (v7); "पठेत् शिवसन्निधौ" without sandhi in the phalashruti. stotranidhi notes "परमपदं" as a variant of "परमात्मक" (v8). | लिपि सत्यापित |
| मधुराष्टकम् | Madhurashtakam of Shri Vallabhacharya; text as given by sanskritdocuments.org (madhurst.itx), cross-checked against Sanskrit Wikisource (मधुराष्टकम्), shlokam.org and JKYogVariants: verse 2 in Wikisource reads 'वसनं… चरितं… वचनं' in a different order; verse 5 in shlokam.org reads 'स्मरणं' for 'रमणं'; verse 7 in Wikisource reads 'राधा मधुरा मिलनं मधुरम्' for 'युक्तं मधुरं मुक्तं मधुरम्'. We follow sanskritdocuments.org, which agrees with JKYog and most recitations. The phrase 'मधुराधिपतेरखिलं' is sandhi of 'मधुराधिपतेः + अखिलं'. | लिपि सत्यापित |
| महालक्ष्म्यष्टकम् | Mahalakshmyashtakam as printed in "Prabhata Stotranidhi" (stotranidhi.com, Devanagari); cross-checked line by line with sanskritdocuments.org mahaalakshmyashhTakaM (Indra-krita, with meaning)The two sources agree on the eight verses except for small spellings. We follow stotranidhi.com in v6 "महाशक्ते" (sanskritdocuments: "महाशक्ति"), v7 "जगन्मातर्महालक्ष्मि" (sanskritdocuments: "जगन्माता") and phalashruti 2 "एककालं" (sanskritdocuments: "एककाले"), and phalashruti 3 "प्रसन्ना" (sanskritdocuments: "प्रसन्न"). In v5 we keep the compound "आद्यशक्तिमहेश्वरि" (stotranidhi prints a space: "आद्यशक्ति महेश्वरि"); the sound is the same. Variants noted by the sources: "मन्त्रपूते" for "मन्त्रमूर्ते" (v4), "योगज्ञे" for "योगजे" (v5). The heading "इन्द्र उवाच" and the closing colophon are not shown as verses. The Padma Purana attribution is traditional; we could not trace a chapter. | लिपि सत्यापित |
| महामृत्युंजय मंत्र | Rig Veda Samhita 7.59.12 (cross-checked with sa.wikisource Rigveda 7.59 with Sayana bhashya); also Shukla Yajurveda Vajasaneyi Samhita 3.60 and Taittiriya Samhita 1.8.6The opening "ॐ" is added in japa; it is not part of the Rig Veda verse. The Samhita spelling is "मामृतात्" (mā + amṛtāt); many popular prints write "माऽमृतात्" with an avagraha to show the word break. The pronunciation is the same. Some traditions add the vyahritis and bija syllables (the longer "Mritasanjivani" form); we give the plain Vedic mantra. | लिपि सत्यापित |
| ॐ जय जगदीश हरे | Traditional text of Pt. Shardha Ram Phillauri's aarti as given by drikpanchang.com "Shri Jagdish Ji Ki Aarti", cross-checked line by line with bhaktibharat.com "Om Jai Jagdish Hare Aarti"; authorship per hi.wikipedia.org "ॐ जय जगदीश हरे"The two sources agree on the refrain and the seven stanzas; minor differences (बिनसे/विनसे, "दास जनों के संकट", "खल कामी"/"फलकामी", "ठाकुर"/"रक्षक") are recorded in the stanza notes. drikpanchang adds an eighth stanza "श्री जगदीशजी की आरती, जो कोई नर गावे। कहत शिवानन्द स्वामी, सुख संपत्ति पावे॥", which is borrowed from the Shiva aarti and is not part of Phillauri's text, so we omit it. The popular "तन मन धन" closing couplet is likewise a later addition. | लिपि सत्यापित |
| ॐ जय लक्ष्मी माता | Traditional Hindi aarti as printed in popular aarti-sangrah booklets; text cross-checked against Drik Panchang (Hindi), Webdunia Hindi and BhaktiBharat.comRegional and printed versions differ in small words. We follow the majority reading line by line. Variants: 'हरि विष्णु विधाता' (Drik Panchang) and 'हर-विष्णु-धाता' (Webdunia) for 'हर विष्णु विधाता'; 'जिस घर में तुम रहतीं, सब सद्गुण आता' (Drik Panchang); 'वस्त्र न हो पाता' and 'पाप शमन हो जाता' (Webdunia); 'जो कोई जन गाता' (Drik Panchang). Many families first recite 'Mahalakshmi Namastubhyam' before the aarti; it is a separate shloka and is not included here. | लिपि सत्यापित |
| ॐ जय शिव ओंकारा | Traditional Hindi aarti; full sung form as given by drikpanchang.com "Shri Shiv Ji Ki Aarti", cross-checked with revivingcultures.com, hindi.webdunia.com and shivchalisahindi.comTwo versions circulate. Older prints (webdunia, shivchalisahindi) give 9 stanzas with some different lines; the fuller 11-stanza form (drikpanchang, revivingcultures) is what most families and recordings sing today, so we follow it. Where the two full-form sources differ we chose the reading attested by the most sources and recorded the alternative in each stanza's note (stanzas 3, 5, 6, 8, 10). | लिपि सत्यापित |
| संकटमोचन हनुमानाष्टक | Sankatmochan Hanumanashtak, Gita Press Gorakhpur reading (appendix to Gita Press's Shri Ramcharitmanas; scanned copy on archive.org), cross-checked with sanskritdocuments.org (doc_z_otherlang_hindi/sankatamochana)The two sources agree line for line. Gita Press joins postpositions (जगमें, तुमसों), which we keep; OCR slips in the scan (e.g. भशक्षि, चौकि) were corrected against sanskritdocuments.org. The sanskritdocuments.org text adds a closing chant ('सियावर रामचन्द्र पद गहि रहुँ…') not found in the Gita Press printing. Each stanza is shown as four lines, the fourth being the refrain. | लिपि सत्यापित |
| सरस्वती वंदना (या कुन्देन्दु) | Traditional Saraswati shlokas; text cross-checked against Sanskrit Wikisource (सरस्वतीस्तोत्राणि) and sanskritdocuments.org (Shri Sarasvati Stotram, Agastyamuni Proktam, sarasvatiAgastya.itx; and Shri Sarasvati Stuti, sarasstuti.itx)Shloka 1: sanskritdocuments.org gives both 'सदा पूजिता' and 'सदा वन्दिता'; Wikisource and most recitations use 'वन्दिता', which we follow. Shloka 2: one sanskritdocuments.org text reads 'शुद्धां' for 'शुक्लां'; we follow Wikisource and common recitation. Shloka 3 ('सरस्वति नमस्तुभ्यं') appears as verse 5 of the Agastya stotram and is commonly recited with the vandana. School and devotional song versions such as 'Maa Sharde' or 'Vara de, Veena-vadini' are separate Hindi compositions and are not included. | लिपि सत्यापित |
| शान्ताकारं भुजगशयनं | Vishnu Sahasranama Stotram, dhyana shlokas (as given on sanskritdocuments.org "vsahasranew" and stotranidhi.com); cross-checked with karmkandbyanandpathak.comTwo readings are current. We follow the most widely recited one: "विश्वाधारं" and "योगिभिर्ध्यानगम्यं" (sanskritdocuments.org). stotranidhi.com and some South Indian editions read "विश्वाकारं" (whose form is the universe) and "योगिहृद्ध्यानगम्यं" (reached in the meditation of yogis' hearts). Some editions prefix "ॐ". | लिपि सत्यापित |
| शिव पञ्चाक्षर स्तोत्रम् | Shiva Panchakshara Stotram, sanskritdocuments.org (doc_shiva/panch, encoded and translated by Anand Hudli) and "Prabhata Stotranidhi" (stotranidhi.com, Devanagari); both carry the colophon naming Shri ShankaracharyaVariants: v2 line 1 "मन्दाकिनि" (short i) in sanskritdocuments vs "मन्दाकिनी" in stotranidhi (we use "मन्दाकिनी"); v2 line 3 "मन्दारपुष्पबहुपुष्पसुपूजिताय" (sanskritdocuments, and the most widely sung form) vs "मन्दारमुख्यबहुपुष्पसुपूजिताय" (stotranidhi); sanskritdocuments also records "मकारमहिताय" for "मकाराय". v3 "वृन्द" (sanskritdocuments) vs "बृन्द" (stotranidhi). stotranidhi omits the phalashruti; we give it from sanskritdocuments, with "पञ्चाक्षर" for "पंचाक्षर" (same word). | लिपि सत्यापित |
| शिव तांडव स्तोत्रम् | Shiva Tandava Stotram (15 shlokas + 2 phalashruti) as attributed to Ravana; text collated from sanskritdocuments.org (shivtAND), sa.wikisource.org (शिवताण्डवस्तोत्रम्) and stotranidhi.com (Devanagari edition)Majority readings followed: 4 मदान्धसिन्धुरस्फुरत्त्वग् (wikisource: सिन्धुरासुरत्वग्); 5 श्रियै (wikisource: श्रिये); 6 महाकपालि सम्पदे शिरो जटालमस्तु नः (wikisource: महः कपालि सम्पदे सरिज्जटालमस्तु नः); 13 विलोललोललोचनो ललामभाललग्नकः (wikisource: विमुक्तलोललोचनाललामभाललग्नकं); 17 लक्ष्मीं सदैव सुमुखीं (wikisource: लक्ष्मीं प्रसादसमये). Shlokas 14 and 15 are absent from stotranidhi and from many popular recordings. Spelling मूर्धनि (some print मूर्द्धनि) and नान्यथा (some print नाऽन्यथा) are orthographic only. Meanings are Nitya's own. | लिपि सत्यापित |
| श्रीरामचन्द्र कृपालु भजु मन | Vinaya Patrika of Goswami Tulsidas, pada 45 (Raga Gauri), Gita Press Gorakhpur edition with Hindi bhavarth, as scanned on Hindi Wikisource (विनय पत्रिका.djvu, pages 79–80); cross-checked against Hindi Wikipedia and BhaktiBharat.comWe follow the Gita Press spelling, including 'भजु मन' (popularly sung 'bhajman'), 'कोसलचंद' and 'उदार'. Popular recordings often continue after stanza 5 with a chhand and sortha from Ramcharitmanas, Balakanda ('मनु जाहि राचेउ मिलहि सो बरु…' and 'जानि गौरि अनुकूल सिय…'), which are Sita's blessing from Gauri and not part of this Vinaya Patrika pada; they are not included here. | लिपि सत्यापित |
| श्रीसूक्तम् | Shri Suktam (Rigvediya), sanskritdocuments.org s-sukta.itx and s-sukta-accent.itx (encoded and proofread by Avinash Sathaye, Shree, Anant Upadhyayula, Sunder Hattangadi); cross-checked line by line with "Prabhata Stotranidhi" (stotranidhi.com, Devanagari with svaras)Mantras 1 to 15 are the Shri Sukta of the Rig Veda Khilani (Bashkala recension; appended after RV 5.87; Scheftelowitz, Die Apokryphen des Rgveda, 2.6). Verse 16 ("यः शुचिः प्रयतो भूत्वा") is the phala verse attached to it; it is not counted among the fifteen. Further appended verses ("पद्मानने पद्म ऊरू", "आनन्दः कर्दमः श्रीदश्चिक्लीत", the Lakshmi Gayatri and others), which both sources print after verse 16 in differing order, are left out. Vedic svara (accent) marks are omitted. The opening "ॐ" printed by sanskritdocuments.org is left out. Both sources agree word for word on mantras 1 to 16 once accents are removed. Spelling choices: "ईश्वरीं" for the sources' "ईश्वरीꣳ" / "ईश्वरीग्ं" (m9); "गन्धद्वारां" (stotranidhi) for "गंधद्वारां" (sanskritdocuments); "जुहुयादाज्यमन्वहम्" joined, where both sources print "जुहुयादाज्य मन्वहम्" (v16). Some traditions swap the half-lines "पिङ्गलां पद्ममालिनीम्" and "सुवर्णां हेममालिनीम्" between mantras 13 and 14 (with "चन्द्रां" and "सूर्यां"); both our sources have the order shown. | लिपि सत्यापित |
| श्री वेंकटेश सुप्रभातम् | Sri Venkatesa Suprabhatam (Suprabhatam section, 29 shlokas) as recited in the Tirumala Suprabhata Seva; text collated from sanskritdocuments.org (venkatsp), stotranidhi.com (Devanagari edition), sa.wikisource.org (श्रीवेङ्कटेशसुप्रभातम्) and shlokam.orgOpening verse from Valmiki Ramayana, Bala Kanda 23.2. Where editions differ we follow the majority reading: 9 तन्त्रीप्रकर्ष (not प्रहर्ष) and करचाररम्यं (not करचारु); 14 हरविरिञ्चि (some print विरिञ्च); 17 महिमाधिकम् (some print महिमादिकम्); 24 परश्वथ (sanskritdocuments has परश्वध); 25 सुगन्धि (stotranidhi has सुगन्ध); 27 मुखास्त्वथ (variant मुखास्तव). The double avagraha (ऽऽ) some editions print in 14 and 19 is omitted, which is standard orthography and does not change the sound. Meanings are Nitya's own. | लिपि सत्यापित |
| वक्रतुण्ड महाकाय | Traditional Ganesha invocation (cross-checked: shlokam.org "Vakratunda Mahakaya"; bhaktibharat.com "Vakratunda Mahakaya Ganesh Shlok"; drikpanchang.com Vakratunda Mahakaya Mantra)The source text of this shloka is not firmly established; it is a traditional invocation. Some prints (e.g. drikpanchang) prefix "श्री" (Shri Vakratunda). A less common reading is "कोटिसूर्यसमप्रभ" (same meaning). Popular prints often write "वक्रतुंड" with anusvara; we keep the Sanskrit spelling "वक्रतुण्ड". | लिपि सत्यापित |
कोई गलती दिखी?
किसी भी पाठ के पन्ने पर “त्रुटि बताएँ” से हमें बताएँ। हमारा लक्ष्य है कि हर सूचना की जाँच हो और पुष्टि हुई गलती 48 घंटे के भीतर ठीक हो।
कॉपीराइट
हम केवल वही पारंपरिक पाठ छापते हैं जो सार्वजनिक (पब्लिक डोमेन) हैं। अर्थ, टिप्पणियाँ और सारांश हमारा अपना काम हैं, © Nitya। हम किसी आधुनिक कॉपीराइट अनुवाद की नकल नहीं करते। अगर आपको लगे कि यहाँ कुछ आपका है, तो बताइए, हम जल्दी देखेंगे।
त्योहार और पंचांग की तिथियाँ
त्योहारों की तिथियाँ किसी प्रकाशित पंचांग या परखी हुई खगोलीय गणना से ली जाती हैं, और हर त्योहार के पन्ने पर स्रोत लिखा होता है। क्षेत्र और परंपरा के अनुसार तिथि एक दिन आगे-पीछे हो सकती है; ऐसे में अपने कुल-पुरोहित या मंदिर का पालन करें।